Now time for creth8, an absolute authority on film and film language who spends a lot of time in media relations and is quite a talent to boot.
—Written by creth8—
—Edited/formatted by Vagrantesque—
To the casual filmgoer, it’d likely be the acting, set pieces or tone that gets discussed after one’s latest cinematic encounter. It would rarely be the music score that would leave much of an impression – which is a great shame. As the saying goes, “Sound is 50 percent of the moviegoing experience.” Film scores (and sound effects) actually do a lot to enhance acting, set pieces and tone. Whilst Bernard Hermann (North By Northwest, Psycho, Taxi Driver) did much to revitalise the popularity of soundtracks, John Williams was arguably more influential. Most film lovers would be able to hum the themes to Star Wars, Indiana Jones and ET with great ease. Williams famously employed leitmotifs – themes for characters, locations and thematic ideas – into his scores. It’s a great pleasure to hear themes reoccur in different variations to suit the onscreen action.
The theme is in your head right now, isn’t it?
Vagrant Rant 