Posts Tagged ‘action’

Best of 2023: Top 10 Movies

What a strange, fascinating year this was for film.

The cinematic quality absolutely showed up in 2023: multiple mega-budget discussion magnets rolled onto big screens without even one (1) superhero in them – and some of the movies that did feature comic book origins were even quite good! We got gigantic big-screen showcases and intimate streaming-friendly art pieces waiting to be picked apart. We got new Scorsese, new Fincher, new Scott, and new Nolan joints within one calendar year, and they all looked expensive – which just seems crazy in a post-lockdown world.

Speaking of which, the last of the major pandemic-delayed movies may be behind us now, but we may be in for a wave of strike-delayed features – hopefully made by fairly-compensated people – over the next couple of years.

I saw 28 new-release films in 2023, which was always going to come far below my 2022 tally, but almost everything I saw this year was worth my time, and some of these may even be worth yours! To close out the year as always, these are my top ten favourite movies of 2023.

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VR BEST OF 2023 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you agree with me 100%, go buy a lottery ticket. Respectful disagreement is most welcome.

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10. Barbie

Our first entry seemed for a while like it could have gone in either an ultra-shallow or overly-pretentious direction, and it kind of did neither. Frustratingly uneven given the ridiculously stacked roster of people involved both in front of and behind the camera, Barbie is still a relentlessly entertaining ride from the triumphant set design of its opening scene to those loopy, abstract final minutes. And sure, it has prompted remarkably varied discussions about quality, thematic payoff and commercial realities among my friends and family that I have and will likely continue to enjoy over time – which will always give a movie extra points in my book – but it also gave us two of the best musical sequences of the year, one of Kate McKinnon’s most unhinged cinematic turns, and that career-highlight performance from Ryan Gosling.

9. Mission Impossible: Dead Reckoning Part I

I’ve found the seventh Mission Impossible film exceedingly hard to quantify over the last half-year, largely because after they made two of the greatest action movies ever back-to-back, Tom Cruise and Christopher McQuarrie decided to lean into more character-focused territory – and tell only half a story – for their third Mission Impossible project as a team. Thus many of the narrative choices the script makes are yet to be resolved, and for once the action isn’t uniformly excellent enough to make up for this: the movie features only the second-craziest vehicular chase down a Roman staircase this year (and unbelievably, the year’s third-most-intense action scene on a European staircase altogether); the realities of the pandemic clearly also limited the volume of real-world stunt magic this time around.

But just to be clear, I still love this movie; Ethan’s established crew (Ilsa Faust aside) is handled as endearingly as ever, newcomer Grace makes a fantastic entrance, and the lead character’s continued transformation into the ultimate ride-or-die partner keeps the stakes impossibly, entertainingly high.

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Movie Review: Captain America – Civil War

Oh look, another movie pitting superheroes against one another. I wonder how this one will go…

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Starring:
Chris Evans, Robert Downey Jr, Sebastian Stan
Director:
Anthony & Joe Russo (Welcome to Collinwood, Captain America: The Winter Soldier)
Rating: M
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The only “complete” Marvel comic book story (if such a thing exists) that I have read to this day is Civil War, a seven-part 2006/07 series that was given to me as a gift a couple of years ago. A positively gigantic event, the series divided literally hundreds of Marvel characters down an explosive ideological line – one side led by Tony Stark/Iron Man, in favour of regulating superhero activity to safeguard against massive collateral damage – the other by Steve Rogers/Captain America, unable to reconcile his desire to do good with the politics he feels would impede true justice. When Kevin Feige announced that Marvel Studios would be doing an adaptation of sorts a couple of years ago, I was skeptical of the project, and I wasn’t alone. How could they possibly do justice to the expansive, universe-shattering story with so few established characters in their stable?

As it turns out, the film version of Civil War, appropriately prefixed as Captain America: Civil War, is such a loose adaptation of that comic that the argument is moot. Sure, there are nods to the structure of the original, but what the movie actually turns out to be is primarily a story about Captain America (the still-amazing Chris Evans) and the closest relationships in his life, and on that front, it succeeds spectacularly. It also has some pretty cool supporting characters, and almost all of them add to the sheer fun of the spectacle. Though Captain America: The Winter Soldier was a more focused film, returning directors Joe and Anthony Russo have now proved that they can handle much bigger casts with aplomb, resulting in a sequel that is almost as good as its predecessor, and noticeably fresher than Avengers: Age of Ultron.

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Movie Review: Spectre

We’re nearing the end of the year in movies, and that means my personal “big four” most hyped films are just about on screens. The first of these is 007’s latest outing. Let’s go.

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Starring:
Daniel Craig, Christoph Waltz, Ralph Fiennes
Director:
Sam Mendes (American Beauty, Skyfall)
Rating: M
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In my experience watching and discussing movies, I’ve come to realise that modern James Bond fans, diverse as they are, fall into two major categories: Those who like the movies despite their tendency to hit similar notes each time, and those who like the movies BECAUSE of their tendency to hit similar notes each time. The Daniel Craig era of Bond films has certainly courted the former type more than the latter, sporting a more rustic, sombre edge than the 007 movies of old, not to mention a tendency to draw inspiration more from Bourne and Batman than former incarnations of the suave super-spy.

In 2012 this trend arguably reached its peak with Sam Mendes’ Skyfall, my personal favourite Bond movie, and having achieved something quite surprising given his decidedly non-action back catalogue, Mendes and his crew have returned to make a very different kind of James Bond movie – one for the traditionalists. Spectre is sillier, grander in scope, packs more characters and “ticks more Bond movie boxes” than any of the other three Craig outings, which pretty much means that depending on what kind of Bond fan you are, there’s probably no avoiding either a palpable sense of disappointment or a refreshing sigh of relief. Either way, however, Spectre is a pretty fun time at the movies.

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Movie Review: Cold Eyes

Some friends and I checked out the Korean Film Festival in Sydney on the weekend and saw this. I have no idea how or when it will resurface for viewing here, but keep an eye out for it.

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Starring:
Han Hyo-Ju, Jung Woo-San, Seol Kyung-Gu
Directors:
Kim Byung-Seo, Jo Ui-Seok (The World of Silence, Make it Big)
Rating: MA15+
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My experience with South Korean cinema is extremely limited – In fact before this film I had only seen the original Oldboy and managed to get through only one K-Drama (2009’s Iris) – but I’ve been told multiple times that a lot of cool things are happening nowadays in the world of celluloid south of the DMZ and I should supposedly be paying more attention to what comes out of it. Indeed I eagerly await news of a blu-ray release of the Chris Evans-led sci-fi hit Snowpiercer, which has been causing quite a stir overseas, and after my curiosity led me to check out Cold Eyes at this year’s Korean Film Festival in Sydney, best believe I’m going to track down a fair few more. Cold Eyes is a slick. intense and very entertaining crime thriller that I wish was easier to access.

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Movie Review: Captain America – The Winter Soldier

What a time to go to the movies.

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Starring:
Chris Evans, Scarlett Johansson, Samuel L Jackson
Director:
Anthony & Joe Russo (Welcome to Collinwood, You, Me & Dupree)
Rating: M
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My feelings on the first Captain America film were mixed. I thought it had an exciting and well-executed first half that unfortunately turned into a straightforward, by-the-numbers superhero baddie chase by the end. The film failed to make me care about the Captain the way I did about Iron Man or even Thor. The “straight man” shtick that has defined the character throughout his long existence just didn’t resonate with me in that first film, as cool as his promotional scenes/song were, though I know others might have felt differently. Once The Avengers came along, however, I understood his appeal. In the context of a rather dysfunctional superhero team, Cap’s level head and idealistic focus on what needed to be done made him a tangibly purposeful character who redeemed his allies just by being there. So writing him into the corruption-addled centre of what is essentially a 1970s-style political thriller, complete with Robert Redford, is actually a really good idea as it turns out.

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Movie Review: The Raid 2

And so begins a mini-landslide of impossibly exciting movie releases.

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Starring:
Iko Uwais, Julie Estelle, Arifin Putra
Director:
Gareth Evans (Merantau, The Raid)
Rating: R18+
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The limited release of The Raid 2 (full name The Raid 2: Berandal) in Australia and indeed around the world suggests that not enough people saw the first The Raid movie. That’s perfectly understandable; after all it’s an Indonesian language film without any instantly recognisable Hollywood stars. The only probable way you’d have heard about it is if a friend recommended it to you. So if this is the first you’re hearing of it, please, friend, go see that film. If you like action movies for their action sequences above all else, you will be hard pressed to find a better film in recent memory than The Raid. That is the highest and most honest praise I can send its way. It is a brutal, stylishly framed triumph and several Hollywood blockbusters are already attempting to emulate its approach.

Now that I’ve said this, go track down the movie and watch it. When you’re done, come back here and read on.

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