6
Sep
Posted by vagrantesque in Movies. Tagged: boy, clement, comedy, conchords, eagle, Film, flight, jemaine, kiwi, Movie, new zealand, Review, shadows, shark, swearwolves, taika, vampire, vs, waititi, war, werewolf, what. Leave a comment
Well this one snuck up on me.
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Starring: Jemaine Clement, Taika Waititi, Jonathan Brugh
Director: Jemaine Clement, Taika Waititi (Boy, Eagle vs Shark)
Rating: M
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If you enjoyed the two seasons of TV show Flight of the Conchords for more than just its songs, then you’re well on your way to enjoying new vampire mockumentary comedy What We Do in the Shadows. If you enjoyed the awkward, slightly sad humour of Eagle vs Shark, you owe it to yourself to drop what you’re doing and go see this new film, as it features much of the same talent and a similar spirit. However, What We Do in the Shadows goes further than appeal to regular fans of New Zealand-made comedies, as its supernatural subject matter and unrelenting approach to throwing out punchlines makes it worthy of a much wider recommendation. It may be based on a well-worn theme, but the latest from gifted director Taiki Waititi is fresh and funny.
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22
Jul
Posted by vagrantesque in Music. Tagged: al, Album, comedy, crimes, first, foil, mission, parody, polka, problems, Review, song, sports, statement, style, tacky, weird, word, world, yankovic. Leave a comment
Man, when was the last time I did an album review?
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Released: July 2014
Label: RCA Records
Genre: Comedy/Pop
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You’d better have some.
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TRACK LISTING
1. Handy
2. Lame Claim To Fame
3. Foil
4. Sports Song
5. Word Crimes
6. My Own Eyes
7. NOW That’s What I Call Polka!
8. Mission Statement
9. Inactive
10. First World Problems
11. Tacky
12. Jackson Park Express
Weird Al Yankovic is easily one of my favourite artists of all time, and his career has now lasted well over 30 years. The king of musical parody has always been most famous for his direct musical homages, which ape the exact melodies of relevant pop songs, but his astoundingly lengthy success can also be attributed to his underrated songwriting skills, both in his famous “style parodies” and his completely original tunes. This aspect was arguably in short supply on his last album, 2011’s Alpocalypse, which was also criticised for falling behind the rapidly accelerating pace of pop culture trends. I’m happy to say that Weird Al’s fresh album release, Mandatory Fun, has no such problems. Al’s shrewd choice of song topics, not to mention his clever promotion method of releasing eight music videos in eight days, has proved he is as adaptable as anyone, and that makes me rather happy.
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