As we close out another year, it’s worth taking one final beat to appreciate how good we had it in the cinema in 2025. Despite how much time (and money) I spend watching movies in a given year, this final countdown is often something I just smash out in one session in the post-feverish haze right after I’ve put my whole life force into the Games list, and before the New Year’s celebrations begin. This year I couldn’t quite do that; it was just so difficult to cut the list down to a mere ten, let alone decide which film to put above the rest in a slot that really felt quite arbitrary in 2025. We definitely did have it good.
IMAX’s first full year back in Sydney since the advent of Letterboxd culture was a properly stacked one; I visited six times in 2025 and loved every session, and that’s because the year delivered high-end action on a scale rarely seen. There was plenty of sub-genre variety within that action, too, so even though that’s probably the biggest theme throughout the list, I never felt things were getting too samey. It’s also pleasing to realise as I type this that just one movie on the list was a streaming exclusive.
Anyway, from the 31 new-release films I saw in 2025 (not including anything released after December 15th, sadly), these are my ten favourites. Thanks for reading this year.
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VR BEST OF 2025 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. Nobody ever agrees with me 100%. Respectful disagreement is most welcome.
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10. K-Pop Demon Hunters
Coming in for its fourth and final main-list mention this month – a tied Vagrant Rant record – the unlikely flint that re-ignited the K-Pop scene for yet another new generation kicks off our final top ten. It rises above an extremely competitive field thanks to the inimitable, whimsical Sony Animation style that, as the Spider-Verse movies have made abundantly clear, tends to bowl critics over en masse. Just as heartwarming, however, is the career boosts for the large squad of talented would-be (and in some cases former) K-Pop stars with great vocals and/or production talent that didn’t quite fit into the industry. Much like the last big Sony movie from this team, KPDH does feel like it ends way too quickly, but the journey there is a blast.
9. Weapons
Marketed as a horror movie, formally a mystery caper, secretly a dark comedy; Zach Cregger’s Barbarian follow-up is a slippery film to categorise, but it absolutely hums along for the majority of its run time. You might accuse the pulp-novel-esque structure, which shifts perspectives like book chapters, of cutting the story’s tension a bit, but it also enriches the small-town community vibe, lines up some killer callbacks, and shares the spotlight among a committed cast who each take out a Jenga piece until everything comes crashing down. Immensely engaging to unravel as you watch, just as meaty to unpack thematically afterwards, Weapons officially makes Cregger a directorial voice worth keeping an ear on.
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