We’re already into the second half of the 2024 countdowns, so let’s get serious.
The spoilers usually get fairly perilous around this point, but only three of my ten favourite movie scenes this year could reasonably be called climactic ending sequences – and only one of those actually contains a final shot. I can’t quite draw a common pattern through them otherwise: we’ve got a fair amount of tension, some gritted teeth, a bit of action and some comedy thrown in too. A pretty fun year, I’ve got to say.
-◊-◊-◊-◊-
VR BEST OF 2024 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. Nobody ever agrees with me 100%. Respectful disagreement is most welcome.
SPOILERS AHEAD!
-◊-◊-◊-◊-
10. The Car – Deadpool & Wolverine
For all its strengths as a fourth-wall-shattering comedy, Deadpool & Wolverine does bring quite a few memorable action scenes along for the ride. The opener single-handily brought *NSYNC back into relevance (well, for people who didn’t already have Bye Bye Bye on their workout playlists – hypothetically), and the side-on bus brawl against an army of Deadpool variants both sends up one-take battles and exists as a perfect example of one. My pick would be the set piece that takes place between those two, where the two title characters have it out inside a run-down car. Not only do you get plenty of creative moves due to the cramped space, but the inciting incident is a seething Hugh Jackman monologue that briefly reminds the audience just how good of an actor he is.
9. Vault Escape – Inside Out 2
In an otherwise admirably-balanced film where even the funny scenes are also tugging at the heartstrings a bit while working hard under the surface to set up a ton of necessary exposition as naturally as possible, only one scene pushes the comedy level all the way forward the whole time. And sure, what may have been a hilarious surprise was partially spoiled by trailers – especially the presence of a YongYea-voiced generically edgy videogame hero from the PS1 days locked away in Riley’s conceptual vault of shame – but for me the funniest part was mostly unspoiled: a direct-to-camera children’s television pastiche known only as Pouchy. I was laughing uncontrollably at every frustrating pause bemusing the main cast in the background.
CLICK HERE TO KEEP READING










