Posts Tagged ‘mv’

Best of 2021: Top 15 K-Pop Singles

This was somehow my tenth year following the Korean music industry, but not all of those years have been the same in terms of interest levels – as you may know if you’ve read any two or more instances of this top 15 list in the past. Sometimes I’m all-in for most of the year; some years I do a big catch-up binge every three months or so, and some years I do all my listening in a dense, borderline-overwhelming chunk at the very end. After an exhausting 2020 where I was back on the week-to-week release grind for the first time in ages, it turned out 2021 gave me a new listening pattern: almost nothing for the first half of the year, then a gradual ramp-up from July onwards.

This meant I got to skip a fair amount of the garbage-wading of last year, and perhaps this year’s list isn’t as authentic as a result; maybe it won’t last as long when I listen to it later. But right now it feels light and fun and I’m digging listening to it on repeat as I write this. On that note, as always it’s worth mentioning that this is always audio-first thing for me: I had seen precisely four out of these twenty-five music videos before I started formatting the list.

It’s also strictly for songs that have music videos and feature at least some Korean language lyrics, disqualifying fantastic songs like Adoy’s Baby. I recommend turning off the YouTube subtitles if they end up automatically playing for you on this page; I’ve just never thought they added anything worthwhile to K-Pop, but that’s a matter of opinion of course.

However, only your best headphones are allowed while you’re here.



This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is beyond unlikely. Respectful disagreement is most welcome.


15. Beautiful Beautiful – ONF

I daresay a whole lot of people around the world looked to K-Pop for an injection of positivity in their lives, and so I can think of no better way to start this playlist than with a relentless dose of just that. Mid-tier boy group ONF’s breezy Beautiful Beautiful uses a basic 2010s pop template to great effect with a sticky main hook that kicks off the song and comes back with verve time and time again, briefly stopping before the last chorus for a lovely harmonious pseudo-in-the-round session that I wouldn’t mind to hear revisited in a longer form. It’s hard to mess up a backing track like this, but ONF’s vocals elevate Beautiful Beautiful to the next level.

14. BEcause – Dreamcatcher

The year after dropping what I still think is the young decade’s best K-Pop album, Dreamcatcher returned to making powerful standalone title tracks with BEcause, which is nominally a summer track but sure brings plenty of the dark sonic elements that are often associated with the colder months. Opening with suitably creepy nursery rhyme vibes brightened up by Leez and Ollounder’s world-class production, it’s not long before the track is going harder than the operatic pop-rock outfit has for a couple of years: Punchy chants, strangely satisfying note slides, double-time breakdowns, an ethereal piano bridge; this is quality vintage DC and I’m here for it.


Best of 2016: Top 15 K-Pop Singles



Wow, five years of listening to K-Pop. I’m not sure how to feel really.

When I first discovered the increasingly wide genre back in 2012, talk of a “five year curse” was prevalent – the idea that K-Pop groups, especially female ones, seem unable to stay together for much longer than half a decade. And though the supposed rule has hardly been exact in its application, 2016 is sure as hell going to be remembered as a year of falling dominoes in the world of K-Pop groups. In the same year that the Brown Eyed Girls celebrated an unprecedented full decade without a member change, the likes of Miss A, Kara (for real this time), 4Minute, Rainbow and 2NE1 – all of whom were in top form when I started out – bit the dust. Other big acts lost important members (B2ST) or finally shuffled off to their mandatory military service (Bigbang), in the process well and truly solidifying the shift in Korean music generations that arguably started in 2014. The landscape is now almost unrecognisable from the days of Gangnam Style.

Of course some things never change, and history is bound to repeat. Though there are more successful soloists, more acoustic guitars, more rappers and heavier EDM beats around than ever before, K-Pop’s affiliation with cutesy girl group concepts returned in a big way in 2016 – especially among mid-tier acts – with barely a trace of the often-tacky “sexy” stylings of the last few years. And while we’re on the subject, it’s kind of a cool novelty to see each of the Big Three Korean entertainment companies bringing a properly successful female group to the table at the same time. That arguably hasn’t happened since 2012, at the tail end of the Wonder Girls/SNSD/2NE1 glory days. Now we have Twice/Red Velvet/Blackpink, and they have cute/weird/cool covered quite well respectively.

But I’m not here to write a dissertation; I’m here to count down my top 15 favourite K-Pop songs of the year, and there are a lot of different kinds of tracks to cover. So let’s do that, for the fifth time on Vagrant Rant.

No more than one song from a group/solo/collaboration can be eligible for this list, and it only takes into account songs that have a corresponding music video and feature Korean language lyrics. Every aspect of the release, visual and otherwise, is considered, but overwhelmingly the audio comes first.

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. Music is a very personal thing and if you actually agree with me 100%, that’s strange. Fun, but strange. Respectful disagreement is very welcome.



15. Last Dance – Bigbang

I hope you’ll allow me a sentimental entry to kick things off.

Bigbang may be a YG Entertainment act, and true to their label they tease fans regularly with releases that don’t actually release for months or years after they are first mentioned. But they’ve been around in some way or another, without any real hint of breaking up, for ten years, and the gigantic quintet has given us a lot of fine memories. So on the eve of their mandated military service they released, alongside two other pretty decent songs, this heartstring-puller, and its emotional impact feels earned. Last Dance gives Bigbang a contemplative track that feels rather, shall we say, final, particularly alongside its brooding MV. There ain’t nothing wrong with it musically, though, providing plenty of Bigbang staples like growling Daesang/smooth Taeyang vocals, a bassy T.O.P rap and a soaring chorus that ends with a definitive full stop. Good luck to ’em.

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Best of 2015: Top 15 K-Pop Singles


It’s really difficult for me to keep up with K-Pop these days. The scene moves through songs, groups, soloists and promotion cycles as fast as ever, and as I keep harping on about this week, I have far less free time these days to take any of it in. I thought I might need to drop the music out of my life in order to keep doing the other things I enjoy throughout 2015, but luckily I didn’t have to, thanks to a little podcast called This Week in K-Pop (plug time), a twice-monthly audio show put together by two Americans living in Korea that showcases and critiques new K-Pop releases of both mainstream and a slightly lesser-known nature.

Combined with a meaty morning and evening commute, this meant I was able to keep building my usual K-Pop single countdown list throughout the year, and even do so from a wider pool than ever before. As a result I actually had a full top 15 ready to go way back in early August. From then on, it was a bit of a headache to decide what new additions would leave and what would stay, leaving me with possibly my most carefully constructed list since I started doing this three years ago.

By and large, it was the beats that defined 2015’s Korean pop music output. After a constantly tumultuous, frequently uninspired, often dull and occasionally tragic 2014 for the Korean popular music industry, 2015 proved that the wildly successful, still-young subsection of world music was more than capable of reinventing itself and delivering surprises. K-Pop’s so-called “identity” is now more difficult to categorise in Western terms than ever, as it continues to stretch its tendrils into heavier contemporary EDM backing tracks, quirky samples and widely spreading subgenres while refusing to back away from the ’90s-inspired idol group structures, creative knife-point choreography and insanely high production values that have defined it from the very beginning.

Short version: K-Pop was back in a big way in 2015.

As always, no album B-sides or non-Korean language songs from K-Pop artists are eligible for this list – generally only songs with MVs (music videos) appear, even though that meant I had to scratch some really good Infinity Challenge/Unpretty Rapstar songs this year. As always I have taken said MVs into consideration when ordering the list, but ultimately the song itself is the biggest contributing factor, and I tried to keep that in mind at all times. Also, this year I just went ahead and made my previous “unwritten rule” an official one – no more than one song from an artist or group can make it on. Now I’ve waffled on long enough, so let’s watch some K-Pop videos.

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This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s weird. Cool, but definitely weird. Respectful disagreement is most welcome.


15. Wiggle Wiggle – Hellovenus

We might as well kick things off with the earliest song of the year to appear on this list – It dropped on January 8th 2015, hot on the heels of a viral video featuring the girls of Hellovenus practicing a dance cover of Jason Derulo’s Wiggle. And despite how opportunistic and cynical the move was, it resulted in an incredibly catchy song with a thumping club beat that would set the stage for similar bass-dominated hits in the year to come.

And yeah, this isn’t the “real” music video, because the actual one is easily of the tackiest, cheapest quality, most poorly edited MVs I have ever seen (it’s here if you really want to watch it).

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Best of 2014: Top 15 K-Pop Singles


Trust something like K-Pop to make me nostalgic for 2012, of all things.

The ancillary troubles that dogged the Korean pop music industry throughout 2014 are well documented in K-Pop circles, and while I have no interest in writing a full-on postmortem, there’s little doubt these troubles had at least some effect on the amount of quality stuff released throughout the year. As once-big acts found themselves on the way out and the mid-tier labels attempting to profit from this got caught in a game of follow-the-leader, the resulting stretches of ho-hum releases stretched on for quite a while.

But this is K-Pop, and you can always guarantee such a high volume of output from all the gazillion labels these days that some of it is bound to be worth listening to. 2014 was no exception, producing some good quality singles worth celebrating, or in this case, counting down!

No album B-sides or non-Korean language songs from K-Pop artists are eligible for this particular list – generally only songs with MVs (music videos) appear. The visual nature of K-Pop means I have taken said MVs into consideration when ordering the list, but ultimately I made this list via an IPod audio playlist, so the song itself is the biggest contributing factor.

time that .
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s spooky. Respectful disagreement is most welcome.


15. Jackpot – Block B

K-Pop is a lesser entity overall without the crazy creative energy of Block B, so it’s a very good thing indeed that they are still around after all the label dramas of last year. Block B’s new home, Seven Seasons Entertainment, seems even more willing to let Zico and the boys loose on whatever concept tickles their fancy than Stardom was, and as a result we get things like Jackpot. Somehow both high-energy and creepy at the same time, the song leverages a carnival atmosphere to thrilling effect. Yes, the change-up for the chorus is jarring, but I have no doubt that was part of the plan, and that post-chorus is just so infectious. Block B is alive, manic and well.

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