Posts Tagged ‘r&b’

25 Dec

Best of 2023: Top 15 K-Pop Singles

Posted by vagrantesque in Best of 2023, K-Pop, Lists, Music. Tagged: , , , , , , , , , , , .

Crawling into my second decade as a Korean music listener feels, well, a lot like I expected, actually. The signs were there from as early as 2017 that as I got older, I would likely float away from the scene’s glitzier offerings and gravitate more towards the R&B side, where the production is often just as good but the vocal talent shines through more and the moods vary more widely. This is still unquestionably a K-Pop list first and foremost, but you may notice the soloist-to-group ratio increase and the overall energy mellow a little this year.

It’s just as well, because among other garbage news 2023 gave us a record-time collapse of the most promising girl group in years – Fifty-Fifty went from viral worldwide hit to Barbie movie soundtrack to contract lawsuit to 75% member exodus in well under a year. Not that there wasn’t plenty to enjoy at the forefront of mainstream K-Pop this year, but the increasing brutality of the business is making it more difficult to invest in newer groups over time.

To reflect my growing appreciation for the less mainstream corners of the industry, I’ve decided to relax my decade-long rule that songs have to be accompanied by music videos in order to count for this list; but if they don’t have one, then they need to be the lead track off their respective album or EP.

As always, only songs with Korean lyrics count, but you should still definitely check out Le Sserafim’s Japanese song Choices, Jungkook’s all-English effort Standing Next to You, Riot Games’ Baekhyun-backed PARANOIA, æspa’s remix-friendly Better Things, and everything Forestella released this year.

Put on your good headphones, turn off those pesky auto-captions (if you want), and let’s step into the groove.

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VR BEST OF 2023 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you agree with me 100%, go buy a lottery ticket. Respectful disagreement is most welcome.

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15. What’s Happening – Min Kyoung Song

We start a little bit spicy in 2023. “This isn’t K-Pop!” you may cry, “It’s clearly a traditional Korean trot song!” Well firstly, over eleven years into this hobby I kinda find all the melting genre lines to be almost pointless; secondly, this isn’t even the first time I’ve included trot stuff on this list; and most importantly, that chorus breakdown is just full-steam modern K-Pop anyway. The trot strings in the background may as well be stylistic window dressing by the time the full EDM sound wall hits, and the combo goes surprisingly hard. There’s even some simple point choreography at the chorus, and because Min Kyoung Song doesn’t have much else to hide behind in her field, you get uncommonly powerful vocals to go with your filthy drops. Give it a go.

14. Boogie Man – LUCY

We transition from a trot song to a band that includes among its ranks an honest-to-goodness violinist unafraid to show off; Lucy’s Boogie Man is a touch of Halloween on Christmas for you. K-Pop bands are usually a bit hit-and-miss for me, but Korean band songs I’ve enjoyed have historically had the kind of bouncy rhythm that Boogie Man provides. But there is oh so much more to enjoy on top of that rhythm: the funky guitar lick after each chorus, the Persona 5-esque violin response after the chorus call, the two separate incidents of headphone-trick knocking, the full violin solo bit, the ghostly wails in the back. No one is going to accuse the creepy music video of being low-effort either; top effort from the Lucy lads.

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29 Dec

Best of 2022: Top 10 K-Pop Albums

Posted by vagrantesque in Best of 2022, K-Pop, Lists, Music. Tagged: , , , , , , .

As we head into the big three countdowns to round out the year, here’s a cool dose of quality K-Pop and K-R&B song collections that flowed better than anything else I heard in 2022. It was a banner year for veteran SM soloists, a couple of familiar voices and some exciting new talents. A couple of cheeky classification instances in there this year, but that’s hardly a new phenomenon. That said:

1-3 tracks = N/A

4-7 tracks = mini album

8+ tracks = full album

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VR BEST OF 2022 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is as likely as avoiding MCU fatigue. Respectful disagreement is most welcome.

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MINI ALBUMS
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5. SMiLEY – Yena

It is once again a minor crime that my formatting insists on keeping the mini album list down to five entries, but despite the plethora of fantastic options for fifth spot this year I can’t help but remain attached to the very first one I heard in 2022.

January saw former Iz*One member Yena begin her solo career with the first of two EPs, but the oddly-titled SMiLEY has almost none of the hallmarks of a debut effort; almost a year after the mini’s release the gumption to kick off a five-track piece with an acoustic slow jam is still stunning (and essentially unique among the idol scene). Said jam Before Anyone Else is immediately captivating, and though the title track is no Smartphone, the high register touch makes Lxxk 2 U one of 2022’s more palatable punk-pop attempts. Pretty Boys is a masterful staccato delight worthy of anyone’s top B-Side list, leaving Vacay to carry Yena home on a light breeze. A promising start to be sure.

4. Colorful Trauma – WOODZ

Three years in, three entries on this list; the artist currently known as WOODZ isn’t slowing down. With this fizzing EP he packs more bombast and bravado to ice the considerable producing chops now expected of any of his album releases. The multi-layered talent sets up the rockier, almost country-tinged tone of Colorful Trauma with a guitar lick so starkly unusual among WOODZ’s close contemporaries it may as well be a fanfare. Thus starts Dirt on my leather, yet another out-of-the-park smash of an opener to add to the WOODZ collection. HIJACK proves the guitar goodness no fluke, buzzing like an Advance Wars CO theme song underneath growling vocal ad libs. The third-track appearance of punky title I hate you almost sounds toothless in comparison, but it does have a killer melodic pre-chorus that pairs nicely with the wailing lead guitar behind Better and better. Committing to the full strumming quintet, it’s a pop-acoustic accompaniment that brings the album to a gentle close on Hope to be like you.

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25 Dec

Best of 2022: Top 15 K-Pop Singles

Posted by vagrantesque in Best of 2022, K-Pop, Lists, Music. Tagged: , , , , , , , , , .

As far as this site is concerned, 2022 has essentially been about looking back over the last decade of entertainment media; that is, of course, purely a coincidence based on my decision to start a blog at the beginning of 2012. But for some reason, more than any other year-end countdown list this year, this particular one really seems to want to match the nostalgic mood. Whether it’s the sound, the visuals, or shockingly the acts themselves, increasingly large swathes of K-Pop are starting to sound like they did ten years ago, and I for one am thrilled. Don’t get me wrong, there’s plenty of stuff on this page unbeholden to the past; but if you’ve ever called yourself a lapsed casual K-Pop fan, this list might just be worth your ears (and good pair of headphones, and probably your removal of automatic captions, but that’s up to you).

A shout-out to the community of the Diggy’s Dungeon K-Pop podcast for their knowledge and recommendations, and as always a quick disclaimer that I base this very personal ranking on the music first and foremost (well entirely, really – most of these music videos were completely new to me this week).

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VR BEST OF 2022 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is as likely as avoiding MCU fatigue. Respectful disagreement is most welcome.

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15. Forever 1 – Girls’ Generation

Welcome back SNSD!

Way, way down on the list of things I didn’t know I wanted to hear in 2022 – because I genuinely didn’t think it was possible – was the return of a full (well, as full as possible after all that 2014 business) Girls’ Generation line-up. But not only did they somehow make it happen, they put out the best track in the history of the eight-member edition. Packed with cheesy touches like that cavernous stadium clap effect on the chorus, and utterly unafraid to overfill your headphones with a wall of sound, the chorus line still manages to soar over it all, and the Into the New World reference in the background of the bridge? Stop, please. I’m not afraid to admit I got real emotional the first time I heard this one.

14. Alone – Highlight

The former B2ST boys brought back the bass in 2022 – and not much else – but that minimalist sound just works wonders on the ever-confident Alone, which extracts maximum value from a single slap line, a bit of cheeky distortion and the mature charm of the group’s four remaining vocal veterans. It’s a clean dose of throwback K-Pop listening, and that’s before you even lay eyes on the gloriously 2010-style video. Dance-in-a-box, ambiguous collapsing scenery, neon lights and expensive car all present and accounted for, thank you.

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