Posts Tagged ‘Music’

The Whirlwind That Was E3 2018

E3 week is over for another year! The conferences have come and gone, the show floor has closed, the Youtubers and game journos have pieced together their wrap-ups and are now piecing together their minds with some well-earned rest. So it’s time once again for me to pick out the trends of the show and throw forward my own general thoughts on the delirious highs and confusing lows of the 2018 Electronic Entertainment Expo.

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Samurai Spirit Abounds

Every year at E3 there’s always a videogame feature or aesthetic concept that seems to rear its head suspiciously frequently. Examples from past years that come to mind include the neck-snapping animations of 2013, the dog companion focus of 2015 and of course the piracy outbreak of last year. This year pundits were ready for the deluge of “battle royale” mode additions to both existing major franchises and new projects, but aside from the very first game of E3, Battlefield V, that would-be trend was nowhere to be found. Instead, the feudal Japanese period stepped up into the thematic void with considerable style. Sekiro: Shadows Die Twice, the much-discussed next game from Dark Souls developer From Software, led the charge and evoked imagery from last year’s runaway success Nioh. It was fitting, then, that Nioh 2 also brought the samurai goodness later on in the week. However the decidedly AAA polish of Sucker Punch’s Ghost of Tsushima probably took the greatest share of the conceptual spotlight, presenting an absolutely jaw-dropping interpretation of a painterly Japanese countryside soaked in blood and fire.

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Live Music, Live Music Everywhere

What do you do when some of your colleagues and competitors are putting forth pristine, pre-curated, glitch-free video presentations? You leverage the unique strengths of the live platform and you leverage them hard. Bethesda, Ubisoft and especially Sony really went in on the idea of live music performances during their 2018 shows. The former even performed an entire song at the top of proceedings courtesy of Andrew W.K. and a live band. Ubisoft’s almost-annual Just Dance series medley was moved to the top of the French giant’s own spectacle, which was odd but arguably a smart move given how previous instances have affected pacing. Sony packed two separate instrumental performances with tonal ties to two of the company’s biggest games, while the entirety of its Dreams footage consisted of adorable/unsettling animated creatures blaring their own musical creations. Your mileage may vary on the value of these interludes but if you ask me they added just the right amount of E3 zaniness. Continue reading

Best of 2017 Closer

Happy new year! 2017 is going to be a hard act to follow for entertainment media, what with its great movies – both blockbuster and indie in spirit – and especially its decade-topping lineup of videogames. Big event movies will certainly come in 2018, headed up by the most ambitious Avengers film yet and the second Fantastic Beasts flick, and smaller gems will emerge as they always do. But there’s a fair bit of videogame uncertainty going into the new year. Will Microsoft nail all their proposed releases this year? How close are we to a new Playstation? What can the Nintendo Switch’s second year possibly bring to even hope to match up to its first? Time will tell. In the meantime, here are the links to all ten of my 2017 year-end countdown lists:

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1. Top 5 Disappointments

2. Top 5 Gaming Trends

3. Top 15 K-Pop Singles

4. Top 5 Game Consoles

5. Top 10 Movie Characters

6. Top 10 Gaming Moments

7. Top 10 Movie Scenes

8. Top 10 K-Pop Albums

9. Top 15 Games

10. Top 15 Movies

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Best of 2017: Top 15 K-Pop Singles

NOTE: This list was already written when we received the news of the apparent suicide of SHINee’s Kim Jonghyun. At the time of publication this development is still less than a week old, but I cannot write it into the main article without sounding flippant about it, and so have left the list un-edited. Kim Jonghyun was literally the first male voice I heard after discovering that I liked K-Pop, and his voice also kicked off my first K-Pop Top 15 at the end of 2012. His loss has rocked the K-Pop community worldwide, and on a personal note has hit me just as hard as the Chester Bennington tragedy earlier this year. I can only imagine how his family must be feeling. He will be missed.

Ah, 2017. If you were a K-Pop fan around when I started being invested in the genre (is it even a genre anymore?) half a decade ago, and you’re still here, then congrats. Your ears have clearly been through a lot and your tastes must be resilient. Though 2016 saw many more big-name K-Pop groups bite the dust, the official dissolving of Sistar and the Wonder Girls in 2017 – alongside respective three-member exoduses from T-ara and Girls’ Generation – meant a 2017 K-Pop fan can hardly be accused of holding on to past glories.

There were quite a few fresh influences and trends worth getting excited about this year, even if they flooded the market so quickly it was hard to find quality at times. The most prevalent surely must be the KARD-and-Winner-led influx of tropical house, because at one point it felt like every group was trying on the sea-and-sand beats. Korea’s ongoing recent fascination with contemporary EDM beat drops also spread into the realm of American DJ collaborations this year – particularly so among the top-tier boy groups – and that helped solidify BTS in rarefied air on the Billboard Top 10 Artists chart in the USA. It seems K-Pop’s year-on-year growth in online popularity around the world has reached a point that no “niche” categorisation can hold back some fandoms. Let’s not forget that we now live in a world where the CinemaSins guy can riff on a Red Velvet video and get views for it. But fear not, because K-Pop was still pulling out plenty of offbeat gimmicks all its own in 2017, from the song-a-month themed schedule of Day6 to the slow revelations of new LOONA members one solo performance at a time. I found a decent amount of K-Pop to enjoy in 2017, and hopefully you did too.

As always, some rules I like to hold myself to: No more than one song from each act and no B-sides. A song needs to have its own official music video and be sung primarily in Korean to be on the list, even though this disqualifies some pretty good songs like Girl Next Door’s Deep Blue Eyes, EXO’s Electric Kiss and Dumbfoundead’s Water (although, to be fair, the latter comes from an actual American rapper). Here’s my sixth annual K-Pop Top 15 list.

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VR BEST OF 2017 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s strange. Intriguing, but strange. Respectful disagreement is most welcome.

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15. Don’t Wanna Cry – Seventeen

It felt like this song was around every corner when I was looking for K-Pop throughout the majority of 2017 – on YouTube, on curated streaming playlists, on podcasts – and for good reason. It may not have the most exciting backing track, bridge or rap section, but it sure has one catchy hook. Some nights I just can’t get that chorus line out of my head. I want to scream it out right now. Also, it’s Seventeen, so the choreography is amazing and executed with ridiculous accuracy to boot. Who actually wants to cry, though, Seventeen? Who?

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I Went to Zelda: Symphony of the Goddesses at the Sydney Opera House

Oh look, a post that isn’t ludicrously lengthy.

At the end of last month I put to bed a small regret of mine – Half a decade ago I was presented with the opportunity to attend the Sydney debut of Symphony of the Goddesses, a worldwide concert tour immediately following on from the special Legend of Zelda 25th Anniversary concerts in Japan and the USA. For reasons I can no longer remember clearly (probably funds), I did not take this opportunity. Naturally I regretted my decision pretty soon after the performance dates arrived and several of my friends raved about how good the show was. I told myself the next time I had such a chance I would not let it pass. But for years, no such chance appeared.

So when, after years of sporadic worldwide tours with varying set lists, the announcement was made that Symphony of the Goddesses would be returning to Sydney harbour this year, no price would have been too high for me to snatch up a ticket. Two years after entering the opera house for the first time to attend the Pokemon Symphonic Evolutions showcase, I was back in the venue’s main concert hall to take in the fully-realised music of one of my absolute favourite media franchises. And what an evening it was.

There are three main reasons I’d go to see an orchestral performance of a videogame music selection – The atmosphere, the craft and the arrangement. Hardly groundbreaking reasons of course, and I’m sure the majority of the people in attendance on the night had similar motivations. Atmosphere is created mostly by said people, whose collective energy and passion tend to elevate an event that otherwise gets by on a uniquely strange blend of nerdiness and class. This department provided the largest point of difference between the Pokemon concert and the Zelda one for me. At the Pokemon event, there seemed to be more themed and/or casual dress in and around the hall, while during the concert the audience reacted loudly to each track and arrangement – especially the more widely recognised ones. While the Zelda show was hardly black tie – and cosplay was there if you looked for it – I definitely noticed more of a conservative attitude to dress code in general. What’s more, during the concert you could tell a crowd favourite by a groundswell of hushed whispers and gasps rather than whoops and shouts. I can’t quite put my finger on the reason for this (perhaps Zelda’s slightly older fanbase, or the fact the concert landed on the exact weekend of PAX Australia in Melbourne) but it certainly lent the atmosphere a more reverential tone and allowed quieter pieces – of which Zelda boasts several – to shine.

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Best of 2016 Closer

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All things considered, 2016 was pretty good for the entertainment media I cover on this blog (I use “cover” loosely – sadly I barely wrote here in 2016). And I don’t even really watch TV shows! 2017 can potentially be even better when you look at what’s coming on paper, sitting there all promising in its un-delayed state. Here’s to a more consistent videogame release schedule, more wonderful RPGs, maybe a decent DC universe movie? 2017 looks like it could have a nice ring to it. In any case, here are all the links to my 2016 countdowns:

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1. Top 10 Disappointments

2. Top 5 Gaming Trends

3. Top 15 K-Pop Singles

4. Top 5 Game Consoles

5. Top 10 Movie Characters

6. Top 10 Gaming Moments

7. Top 10 Movie Scenes

8. Top 10 K-Pop Albums

9. Top 15 Games

10. Top 10 Movies

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Best of 2015 Closer

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What a fantastic year 2015 was for entertainment media. 2016 will have a hard time topping it, though it will certainly try with quite a sizeable suite of big guns up its proverbial sleeve. Before any of the big stuff hits, however, have a look back at the year that was with the stuff that helped make my 2015 so enjoyable. Below you’ll find all the links to my year-end countdowns, featuring a new list concept and the longest games countdown post I’ve ever written. Happy new year!

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1. Top 10 Disappointments

2. Top 5 Gaming Trends

3. Top 10 Movie Characters

4. Top 15 K-Pop Singles

5. Top 5 Game Consoles

6. Top 10 Movie Scenes

7. Top 10 Gaming Moments

8. Top 10 K-Pop Albums

9. Top 15 Games

10. Top 10 Movies

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I Went to Pokémon Symphonic Evolutions at the Sydney Opera House

Yep, another concert post! What a time to be alive.

I’ve lived in Australia for 17 years now, and been a tourist to these great shores before that. But last night marked the very first time I had the pleasure of entering the Sydney Opera House. My reason for doing so was not exactly standard for the venue, mind you, but it was certainly worth the wait. The long-hyped orchestral treatment of the music from the Pokémon series had finally arrived in our backyard, and the event did not disappoint.

It was a bit of a sore spot for me that I had never seen the famous Sydney Symphony Orchestra live in any capacity, not least of all because that meant I’d missed both 2011’s Distant Worlds concert (music from Final Fantasy) and 2013’s Symphony of the Goddesses (music from the Legend of Zelda series). But I was never going to miss this one, and there were very obviously hundreds of others who felt the same, because there was a real excited buzz in and around the iconic Darling Harbour venue. Continue reading