Posts Tagged ‘b-side’

Best of 2017: Top 10 K-Pop Albums

As we roll into the business end of these countdowns and the final hours of 2017, it bears mentioning how difficult I found it to finalise these last three lists. You’re about to see two Top 15s where previously there was only one, but I very nearly made this one the third. If it weren’t for the fact that I couldn’t find another list worth cutting down to compensate, I would have. 2017 was that good of a year for K-Pop albums – especially in their shorter “mini” format. I’ve often joked that all a K-Pop album has to do to get my attention is not put its MV track in the first slot, and maybe divide some group members up for solos/duets (i.e. just not be generic) but I can’t even fall back on that crutch this time, because so many albums did just that in 2017. Some even went a step further in the structural experiment department.

Wow, this is such a nerdy list.

I consider mini-albums to be between four and seven tracks long. Anything shorter than that is a “maxi single” or “single album” (Not even my words), anything longer is a full album.

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VR BEST OF 2017 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s strange. Intriguing, but strange. Respectful disagreement is most welcome.

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MINI ALBUMS
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5. Eclipse – EXID

They say necessity is the mother of invention and in the case of EXID’s Eclipse that certainly rings true. By all means, on an album you can pair off your members or give them solos to spice things up and make the group feel more like everyone is putting in work, but when you’re also down not only your most gifted vocalist, but one of the most gifted vocalists in all of K-Pop, you need to take things a step further. Eclipse somehow works without the incapacitated Solji thanks to a heavy injection of driving electronic bass as well as some truly impressive fill-in work from secondary vocalist Hyerin. Album opener Boy is the tone-setting stylistic codifier, giving each able member her own unique stanza but leaving the hook entirely electronic. Its lyrics are a prologue of sorts to MV track Night Rather Than Day, which works far better as an audio-only throwback to the group’s early sound (The video is pretty awful). But Eclipse‘s greatest achievement is How Why, which has such a booming chorus that I hope this isn’t the last we’ve seen of electro-EXID.

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