Posts Tagged ‘Gaming’

My 8 Favourite Chapters From Octopath Traveler

So I recently beat the final boss of Octopath Traveller, pretty much bang-on two months after launch and with a 90 hour save file to show for it. The game’s alright, I guess.

Lukewarm jokes aside, my deep appreciation for this itch-scratching JRPG gem lies mainly with the things for which it has been widely praised – Its astonishingly unique visuals, its wonderfully dynamic soundtrack, its deeply strategic combat. If people at large seem to have a bone to pick with Octopath, that bone is firmly lodged in the story department.

The game’s atypical approach to story structure – eight individual stories that stay separated from the wider party narrative outside of a handful of short optional skits – may irritate those who weren’t prepared to find such an approach in an RPG that appears so traditional at first glance. But as someone who has played a hell of a lot of JRPGs, I for one welcome the refreshing ability to tell some of the most focused, character-driven tales you can find in any title of Octopath‘s ilk. Bound by a less plentiful budget than is usually afforded to more known Square Enix RPGs, the game’s writers had to employ a simple combination of rudimentary animations, on-point musical cues and tactfully distributed voice acting to sell eight different four-chapter stories despite repeating a very similar contracted three-act structure 32 times.

Sometimes this works better than others, and though factors like the order in which you see them (the game is very open) and your own personal tastes and background will determine which of Octopath‘s story chapters stand out most for you, these are the eight that I enjoyed the most. Spoilers obviously abound, so read on only if you’ve finished the game or don’t plan on playing it any further / at all.

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8. Cyrus Chapter 2

Ah, Cyrus. As one of the later characters I met on my journey, I initially found his idealistic head-in-the-clouds indifference to the feelings of those around him to be a grating character trait, but by the time his introductory chapter is over that same trait has been turned into a joke at his expense and he is suddenly an endearing, not to mention mechanically essential, part of the octo-squad. His second chapter beats his first one onto this list, however, thanks to the way it uses this endearment to maximise the impact of a shockingly macabre turn. In the mining town of Quarrycrest, you get to see the full range of Cyrus’ strictly-academia reactions to everything from light jabs at his obliviousness to demonic blood rituals. If you haven’t done any third chapters by the time you see this one, the ghastly introduction of supernatural body horror into the world’s lore makes for some decently-paced foreshadowing.

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7. Tressa Chapter 2

The other major chapter taking place in Quarrycrest takes on a rather different tone. It sees the wholesome, naive aspiring merchant Tressa attempt to make her fortune by selling shiny gems in a town ultimately under the control of a despot of sorts who believes that very fortune belongs to him by right. It builds to the confrontation with said megalomaniac by first introducing one of Octopath‘s best supporting characters, Ali. A cocky young merchant with an existing bag of tricks and sales techniques, Ali serves initially as a cheeky antagonist and eventually as an ally against the larger evil at hand, in both cases encouraging tremendous growth from Tressa. Though more of his character is developed in later chapters, in Quarrycrest his relentless-yet-principled attitude to the art of selling solidifies him as an indispensable addition to the game’s considerable secondary cast.

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The Whirlwind That Was E3 2018

E3 week is over for another year! The conferences have come and gone, the show floor has closed, the Youtubers and game journos have pieced together their wrap-ups and are now piecing together their minds with some well-earned rest. So it’s time once again for me to pick out the trends of the show and throw forward my own general thoughts on the delirious highs and confusing lows of the 2018 Electronic Entertainment Expo.

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Samurai Spirit Abounds

Every year at E3 there’s always a videogame feature or aesthetic concept that seems to rear its head suspiciously frequently. Examples from past years that come to mind include the neck-snapping animations of 2013, the dog companion focus of 2015 and of course the piracy outbreak of last year. This year pundits were ready for the deluge of “battle royale” mode additions to both existing major franchises and new projects, but aside from the very first game of E3, Battlefield V, that would-be trend was nowhere to be found. Instead, the feudal Japanese period stepped up into the thematic void with considerable style. Sekiro: Shadows Die Twice, the much-discussed next game from Dark Souls developer From Software, led the charge and evoked imagery from last year’s runaway success Nioh. It was fitting, then, that Nioh 2 also brought the samurai goodness later on in the week. However the decidedly AAA polish of Sucker Punch’s Ghost of Tsushima probably took the greatest share of the conceptual spotlight, presenting an absolutely jaw-dropping interpretation of a painterly Japanese countryside soaked in blood and fire.

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Live Music, Live Music Everywhere

What do you do when some of your colleagues and competitors are putting forth pristine, pre-curated, glitch-free video presentations? You leverage the unique strengths of the live platform and you leverage them hard. Bethesda, Ubisoft and especially Sony really went in on the idea of live music performances during their 2018 shows. The former even performed an entire song at the top of proceedings courtesy of Andrew W.K. and a live band. Ubisoft’s almost-annual Just Dance series medley was moved to the top of the French giant’s own spectacle, which was odd but arguably a smart move given how previous instances have affected pacing. Sony packed two separate instrumental performances with tonal ties to two of the company’s biggest games, while the entirety of its Dreams footage consisted of adorable/unsettling animated creatures blaring their own musical creations. Your mileage may vary on the value of these interludes but if you ask me they added just the right amount of E3 zaniness. Continue reading

Best of 2017: Top 15 Games

Here we are. Time to count down my favourite videogames from a truly phenomenonal year for the medium (The best in ten years?). There are some games on this list that I would wholeheartedly recommend to anyone even remotely interested, but the real measure of 2017 is the games that don’t make the list because I just didn’t have time to get into them. And no, I don’t just mean games other people liked but didn’t really grab me. I’m talking Horizon Zero Dawn, Cuphead, Yakuza Zero, Steamworld Dig 2, Night in the Woods, Tales of Berseria, Golf Story, Gang Beasts. Games that in any other year I would have been all over. Games I’ve already seen on many other top ten lists across the internet.

Part of this can probably be attributed to my conscious decision not to ignore good games on the 3DS as long as they were coming out. I clocked nearly 200 hours of combined 2017 playtime on my 3DS according to its activity log – mostly on trains and buses – and if it weren’t for the Nintendo Switch overshadowing it on every big site and YouTube channel I would have been shocked that I wasn’t seeing some of these 3DS games on more people’s lists. Of course, the Switch was still a thing, so there are more Switch games on this page than on any other console. The rest of the numbers are made up by some delightfully surprising indie and triple-A games gripping enough to help me temporarily forget about all the other games I could be playing. What an insane year.

A game qualifies for the list if I play it for over five hours or finish it. You’ll see the platform on which I played each game in parentheses next to its title.

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VR BEST OF 2017 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s strange. Intriguing, but strange. Respectful disagreement is most welcome.

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15. ARMS (NS)

Major new IPs from Nintendo are rarer than a PC without Playerunknown’s Battlegrounds installed, so it’s a big deal when one comes along. Following in the spiritual footsteps of 2015’s Splatoon, ARMS is an attempt by Nintendo to refresh what players can expect from a fighting game, in much the same way that Splatoon injected new life into the shooter genre. Taking stylistic cues from Blizzard’s Overwatch in the character design department and infusing these designs with Nintendo wackiness, ARMS is a charming game with deceptive mechanical depth and phenomenonal 1v1 duel multiplayer. Though the rest of its modes are inherently less deep and the game’s single player mode is basic at best, ARMS is my pick for most improved game of the year post-launch, with extra incentives, modes and characters now part of the package. And let’s not forget that theme song, which slots right in alongside Nintendo’s catchiest first-party tunes. ARMS should not be overlooked by anyone buying a Switch.

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Best of 2017: Top 10 Gaming Moments

Now that we’re finally talking about the games of 2017 themselves, it’s time to start asking the question – Is this the best year for videogame releases since 2007? Do we at last have an annum worth blowing past 2011 and taking on the year that gave us Bioshock, Modern Warfare, Mass Effect, Portal and Mario Galaxy? It’s a short question with a long answer, but perhaps so. If it is, then the ease with which I came up with content for this list makes an awful lot of sense. 2017 was a sensational year for gaming moments that encouraged some good old fashioned water cooler chat.

Even compared to previous years’ lists, this one is positively packed with story-related moments, so seriously, proceed with caution. Or don’t proceed at all.

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VR BEST OF 2017 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s strange. Intriguing, but strange. Respectful disagreement is most welcome.

Big videogame spoilers follow!

Seriously!

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10. Simulation – Prey

Oftentimes you’ll need to get through several hours of a game before reaching any big twists, rug pulls or otherwise shocking plot developments, but Prey gives you several inside the first two hours. The fact that they make such an impact is testament to how well Arkane Studios builds up the pretense of one reality before literally and figuratively shattering it with one melee attack to a glass panel. Prey mixes together a visually arresting Hollywood-style title sequence with some unsettlingly clever tutorials ending with a terrifying first encounter with an alien species, then uses a detail-rich apartment environment and a tiny bit of familial drama to turn your attention in one direction before jolting you back the opposite way. This is all rather effective to say the least at leaving you on edge, setting the stage for a claustrophobic journey of fear and intrigue.

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Best of 2017: Top 5 Game Consoles

At this time of year, as people look back on the 12 months that were and attempt to make sense of them, it’s not uncommon to hear phrases like “It was a year of two halves”. Well, this is a list of two halves. Or it would be if you could divide five in half cleanly. You know what I mean.

By the standards I use to make this short list every year (quality of exclusive gaming releases, features and/or general usability improvements), two major gaming consoles had a pretty dour 2017, two had an absolutely incredible 2017, and one in the middle surprised a lot of people with its tenacious refusal to die. Even outside the spheres of online fanboy arguments, there were some clear winners and losers when it came to videogame consoles in 2017. It was a truly fascinating year to be an observer of the console gaming space, let alone a participant in it.

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VR BEST OF 2017 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s strange. Intriguing, but strange. Respectful disagreement is most welcome.

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5. PlayStation Vita

(LAST YEAR: 4th)

Some might question why I even see fit to include the PS Vita on this list anymore. After all, by this point Sony’s most recent portable has been declared either dead or dying for most of its actual life. Such a narrative continues to echo (faintly, it must be said) throughout a general gaming community that has long since written it off. In a year that saw the debut of the Nintendo Switch, a handheld so rich in quality indie and Japanese games that some have taken to calling it the “Vita 2”, plenty of Vita die-hards finally pulled the plug on Sony’s little beast. All things considered, the Vita’s 2017 records shows a much lower output of the fresh indie games, JRPGs and visual novels that were once its bread and butter. There were some exceptions of course – Stellar portable versions of Undertale, Danganronpa V3 and Ys VIII gave the Vita some semblance of relevance over the Switch at times throughout the year, if only for a small community of gamers – but with such a dripfeed of indie support and the (tragically) dwindling mainstream relevance of PSN trophy-hunting, the truly wondrous Playstation Vita may finally be on its last legs. Like, actually. For real this time.

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I Went to Zelda: Symphony of the Goddesses at the Sydney Opera House

Oh look, a post that isn’t ludicrously lengthy.

At the end of last month I put to bed a small regret of mine – Half a decade ago I was presented with the opportunity to attend the Sydney debut of Symphony of the Goddesses, a worldwide concert tour immediately following on from the special Legend of Zelda 25th Anniversary concerts in Japan and the USA. For reasons I can no longer remember clearly (probably funds), I did not take this opportunity. Naturally I regretted my decision pretty soon after the performance dates arrived and several of my friends raved about how good the show was. I told myself the next time I had such a chance I would not let it pass. But for years, no such chance appeared.

So when, after years of sporadic worldwide tours with varying set lists, the announcement was made that Symphony of the Goddesses would be returning to Sydney harbour this year, no price would have been too high for me to snatch up a ticket. Two years after entering the opera house for the first time to attend the Pokemon Symphonic Evolutions showcase, I was back in the venue’s main concert hall to take in the fully-realised music of one of my absolute favourite media franchises. And what an evening it was.

There are three main reasons I’d go to see an orchestral performance of a videogame music selection – The atmosphere, the craft and the arrangement. Hardly groundbreaking reasons of course, and I’m sure the majority of the people in attendance on the night had similar motivations. Atmosphere is created mostly by said people, whose collective energy and passion tend to elevate an event that otherwise gets by on a uniquely strange blend of nerdiness and class. This department provided the largest point of difference between the Pokemon concert and the Zelda one for me. At the Pokemon event, there seemed to be more themed and/or casual dress in and around the hall, while during the concert the audience reacted loudly to each track and arrangement – especially the more widely recognised ones. While the Zelda show was hardly black tie – and cosplay was there if you looked for it – I definitely noticed more of a conservative attitude to dress code in general. What’s more, during the concert you could tell a crowd favourite by a groundswell of hushed whispers and gasps rather than whoops and shouts. I can’t quite put my finger on the reason for this (perhaps Zelda’s slightly older fanbase, or the fact the concert landed on the exact weekend of PAX Australia in Melbourne) but it certainly lent the atmosphere a more reverential tone and allowed quieter pieces – of which Zelda boasts several – to shine.

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7 Things We Learned At E3 2017

Somehow another whirlwind year at the Electronic Entertainment Expo is over, and with our collective wallets looking nervously over their shoulders once more, it’s always fun to work out the trends that define the year’s most bombastic videogame event. Doing so is one of the clearest ways we have of determining where the larger industry is at during a given year, so here are my takes for 2017:

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We’ve Been Spoilt in Recent Years

Judging by the prevailing consensus on the suite of 2017 E3 press conferences, you’d swear almost nothing good was announced – Never mind the complete and utter deluge of news. Looking at all the new games, new footage and new details we have been inundated with over the last week is an exercise in pure exhaustion – with future-minded budgeting an exercise in futility – and yet the lack of so-called “hype moments” has left many feeling slightly empty. Of course this was inevitable, especially regarding Sony, as after two consecutive years of bombshell-laden shows lacking release details and/or real footage, the company’s proverbial chickens have come home to roost. Hype moments did arrive (see below) but when they don’t come from the current industry leader, the impact ain’t quite the same. Nonetheless, I genuinely believe that all things considered, 2017 was a pretty great E3 to watch, mostly because…

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(Almost) Every Publisher is Improving Their Stage Game

There’s no guarantee that this trend won’t reverse immediately next year, but when compared to 2016, the majority of the E3 conferences have largely improved in leaps and bounds when it comes to window dressing and pacing. EA didn’t seem to get the memo, but Microsoft and Ubisoft seemed to take direct notes from Sony’s remarkably snappy game-after-game 2016 structure, while Bethesda seemed to look more to a Nintendo Direct-style format by wrapping their titles in a charmingly consistent theme park aesthetic. Sony, meanwhile, took what they did last year and cranked it up by matching each major game showcase to a specific mix of lighting tricks, props and even live actors, as Nintendo squeezed a few megaton announcements into the company’s shortest show ever. It’s easy to forget that 2017 brought us fewer awkward stage interactions and irrelevant media distractions than we’ve had in recent memory, which is surely worth acknowledging.

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