And (probably) the second-last article I’ll write about it. But we can’t be certain…
In late 2016, the questions were made of ‘if’s. Plenty of takes were ready to answer those questions with doom and gloom predictions, sure. But mainly, it was ‘if’s. Nintendo was back in the home console doghouse after a string of Wii U-tinted flops and an ambitious handheld/home hybrid seemed like an uncertainty at the very best. As a period in the Big N’s history, it’s been well-covered – although it still seems a little surreal to think about. If the Switch made a real sales impact, Nintendo would have pulled off yet another unlikely comeback. If it didn’t, the company was in for some real trouble.
Of course 2017 gave us a definite, emphatic answer. The Switch did just about everything right all year, dropping a steady stream of compelling titles without a single delay. But by 2018, the ‘where’s started to creep into the online chat. Any serial Switch YouTuber subscriber will remember the hysteria at the beginning of the year: Where was that Nintendo Direct? Then later, as the wave of ports and DLC expansions gathered momentum, where were all the brand-new games? Where was the launch content in the new Kirby and Mario Tennis games? Though nothing in Nintendo’s history suggested a year like 2017 could ever be properly backed up, their new console’s success made pundits ravenous.
Port city?
In 2019, we got a nice big serving of ‘why’s in the air. Some of Nintendo’s announcements that year inspired heavy-duty communal head-scratching: A portable-only Switch that couldn’t switch? A poorly-justified ‘dex reduction in the new Pokemon games? A new fitness game with a plastic ring accessory costing north of $100? Why? Of course all of these sold super well – 2019 was ultimately a strong year for exclusive games and big third party support alike – but no one could accuse the Big N of resting on their laurels to get there.
Whaaaaa?
As we all know, 2020 was a very different story. The releases dried up when an already light year collided with a worldwide pandemic, and the ‘how’s came out to play. How would Nintendo stay relevant amid such a climate when new Xbox and Playstation consoles were set to dominate headlines and interest all year? But the Switch had its most successful year of hardware sales ever, with periods of unavailability easily trumping its launch year as Animal Crossing finally smashed into the top tier of Nintendo franchises. Incredulous analysts could only ponder how such serendipity had lined up for Nintendo.
Do you make your own luck?
Now here we are, coming up quickly on that magical (usually final for Nintendo) five-year mark in a console life cycle. As hardware sales settle down again in 2021 and restless 4K Switch successor rumours refuse to go away despite an unprecedented global chip shortage, the ‘if’s have returned. There have been valid questions asked of the Switch throughout its life, but the ageing technology within what is functionally a handheld console now compares even less favourably with its beefy direct competition. Will it be able to hold its own or is another Nintendo nosedive coming up? Is the Japanese giant about to abandon support in favour of its next console, as it has done so often before around that half-decade point? Not since that first trailer five years ago has such an air of uncertainty hung around the hybrid gaming platform.
Allow me to present two points suggesting that probably shouldn’t be the case.
So here we are once again, in the launch year of proper “next-gen” consoles. The gaming world is in a wildly different place than it was in 2013 – as anyone who tried to get a pre-order on one of the new consoles can attest – and while that would’ve been the case even without a pandemic, it’s hard to look anywhere online at the volume of overall console demand in 2020 and call it run-of-the-mill. It feels like the Switch spent the entirety of 2020 breaking sales records, and we seemed to get an apology from a different gaming CEO every month apologising for the lack of some form of hardware stock.
So a few more people have videogame consoles in 2020, but which one had the best feature upgrades and exclusive games this year? Which one felt the most like this was its year? Yep, it’s time for this merry-go-round once again; this is my opinion on the Top 5 Game Consoles of 2020.
No, PC and mobile are not consoles.
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VR BEST OF 2020 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is an utterly bizarre coincidence. Respectful disagreement is most welcome.
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5. Xbox Series X|S
LAST YEAR: N/A
Over the last month and a half I have not been shy about expressing how much I appreciate the new generation of Xbox consoles. They’re so fast to get anywhere or do anything; they’re compatible with mountains of games and accessories; they look sharp and modern; they love being connected to good screens and for the most part, they just work. However, right here at the starting line in 2020, it feels like the Xbox Series X and Series S can’t go anywhere on this list but at the bottom. I’ve always used two main factors to navigate console placement on the year-end list: fresh advances in the world of user features, and exclusive game releases. Microsoft has made both of those things quite irrelevant within the marketing pitch for their new consoles at this point in time, but more on that in a couple of paragraphs time.
I promise they’re great though. I had to pull myself away from playing my Xbox Series X to write this.
2020 began with the promise that the next generation of mainstream videogame consoles (and by extension PC hardware) would at long last grace our homes by its end. At multiple points throughout this year, such a promise seemed about as far from reality as conceivably possible. The stop-start hype cycle, packed as it was with guesswork and noise, was nothing short of exhausting. Yet here we are. Despite two distinctly bitter flavours of worldwide preorder drama, the PS5 and the dual-threat Xbox Series exist in real life; they are out there in the wild and after almost two weeks spent with each, I’m here to talk about how they look out of the racing blocks. Strap yourselves in – this is a big one.
Seven years ago I posted a similar article comparing the PS4 and the original Xbox One. In many ways that feels like yesterday, but going back over it in preparation for this round I was struck by just how many shiny plates were spinning on both sides of the main home console divide in 2013. Gimmicks and talking points abounded: futuristic Kinect voice commands and hand gestures running on a tile-based solid-colour Windows 8 interface versus PS Vita remote play, the abandonment of Sony’s trusty “cross media bar” and Playstation’s most radical controller shake-up ever. Both consoles felt functionally fresh and experimental. They were missing key features their predecessors had taken for granted and neither one showed any interest in backwards compatibility with older-generation games, but at least in those first few months there was a sense that each cut had made way for something tangibly new.
Which is why that launch also feels like a hundred years ago. The still-young gaming industry has continued to change in many ways since 2013, and the feverish year of marketing and punditry behind us would have you believe there’s a growing ideological gulf between Microsoft and Sony. But the dawn of the ninth home console generation has a somewhat surprising streak of quiet confidence about it. Make no mistake: The PS5 and the Xbox Series X feel like marked leaps ahead for the home console experience, and they are quite different despite clearly learning lessons from one another during the last go-around. But neither Sony nor Microsoft has come off looking quite as insecure about it this time around.
Clash of the Titans
Let’s start by talking about the elephants in the room. It’s been well-documented (love an understatement) that 2020’s new boxes are a bit on the large side, but much like the pocket-friendliness of last year’s Nintendo Switch Lite didn’t hit home until I held it, the stature and weight of the Xbox Series X and PS5 feels like little more than a meme – until you actually have to try and fit them into your entertainment setup. I distinctly remember transitioning from PS3 to PS4 painlessly because they shared identical cabling and a similar stature, but the PS5 is so gargantuan that the tape measure had to come out more than once during the multi-hour entertainment unit reshuffle it demanded.
Visually the PS5 looks like it belongs firmly in the middle of the 2000s, right next to the lightly-toned, vertically-marketed day-one model Xbox 360 and Nintendo Wii. Despite being larger than both combined, it would’ve fit right in among that semi-space-age design trend. It marks a huge departure from the last decade of flat, straight black lines that aim to draw attention away from the consoles they adorn, arriving instead with a weighty form factor wearing a brilliant white coat, collar popped like it was made by a company that just sold 100+ million PS4s. It doesn’t care that it needs a chunky (included) stand for stability; it wants to be the first thing anyone looks at in your living room.
Yes, they’ve been “back” now for a good couple years, and it’s getting easier by the day to forget the wildly uncertain videogame landscape in which the Nintendo Switch made its debut on March 3rd, 2017. And yet, it somehow also feels like only yesterday that this thing hit the market – at least to me. If you find yourself in the same boat, I hope you’re ready for the rest of the Switch’s life to blink past in a heartbeat. After all, time flies when you have far too many games to play.
I feel if I don’t somehow mark this point in time right now, at the exact halfway mark* in Nintendo’s traditional five-year console life cycle, I won’t be able to truly appreciate the Switch before Nintendo messes up a new console again. And thus, if you’re so inclined, please join me on yet another (very) deep dive into a minor electronic miracle. .
*Oh, did I say halfway mark? Well, I was going to post this on September 3rd to be all neat and tidy, but then Nintendo had to announce two new versions of the Switch for imminent release, then a 40 minute Nintendo Direct presentation packed to the gills with new game announcements, meaning this post was about to be all kinds of outdated in record time. But more on all that shortly. Please read on…
On our increasingly stretched list of five this year we see two players in the definitive final stages of their lives, two perhaps approaching the dawn of their successors and one still young with a lot to prove. This is a transition period of sorts in the console space but 2018 was also a year for big-budget, high-impact exclusive games. And exclusive games remain the number one most important factor I use to order this list, although other elements will always be important too. How I feel a console has grown via aspects like associated services, system-level improvements and that nebulous “how I feel playing it” quality all come into consideration.
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VR BEST OF 2018 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s odd, but let’s have a beer. Respectful disagreement is most welcome.
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5. PlayStation Vita
(LAST YEAR: 5th)
Yep, it’s actually dead now, I know, I know. This year finally saw Sony announce that 2019 would see the end of Japanese production of this wonderfully misunderstood and mishandled portable. As Japan – the Vita’s home, after all – was the only place still manufacturing Vita consoles and accessories, not to mention the only place said consoles and accessories were still selling decently, that’s quite a death knell. There were still worldwide game releases on the platform in 2018, though, and so even though I finally got rid of my lovely lime green Vita for good this year, I can still technically use the thing to hold up the bottom of this list. Because there is literally nothing else to qualify it as a top five. Here’s hoping for new consoles next year…
When the Super Nintendo Entertainment System Classic Edition (a mouthful known as the SNES Mini overseas) launched on the last day of September this year, its tiny unassuming shell represented more of a curiosity for me than anything else. Or so I thought. After all, I had owned an NES mini for a brief moment last year, almost purely because it was extremely rare and enveloped in Nintendo hype. I did not, however, play it for very long. The SNES counterpart’s announcement provided a more appealing range of prospective games, to be sure, but even as I placed my preorder there was that nagging voice in the back of my head – “There are so many other new games out. You will barely touch this thing.”
Since its release a week ago, almost every second of my limited home gaming time has been done on the candy-coloured Super Nintendo controller.
My history with the SNES and its games has been more scrapbook than portfolio. I’ll tell anyone who’ll listen that I’m old enough to have grown up with the SNES, but due to spending the first decade of my life in South Africa (living, it must be said, a very fortunate childhood), my introduction to home console games came with the Nintendo 64 in 1999, a year after moving to Australia. When I started this blog almost six years ago the entirety of my Super Nintendo gaming history could be summed up with three portable conversions – the Game Boy Color version of Donkey Kong Country, the Game Boy Advance treatment of The Legend of Zelda: A Link to the Past, and fleetingly the GBA port of Yoshi’s Island.Countless nostalgia-tinted SNES tales told by friends over the years painted the picture in my mind’s eye of a true gaming juggernaut, as did similar recounts from gaming personalities all over the internet, but the means and motivation to play Super Nintendo games just didn’t exist for me until the release of the Wii U Virtual Console in 2013.
I can almost pinpoint the exact week my perspective changed, because as luck would have it I posted something on this very site about my first-up thoughts on Super Mario World and Super Metroid upon the launch of the Virtual Console service. Later that year I put several hours into the first-ever official release of Earthbound in Australia – thanks to that same Virtual Console – and over the ensuing years purchased a copy of Chrono Trigger on DS, flirted with a buggy ROM of the GBA version of Final Fantasy VI, discovered the joy of five-player local Super Bomberman shenanigans,played the DS remake of Kirby Super Star and, just last year, delved into Mega Man X. Each new-old experience increased my opinion of the SNES’ remarkable library and so even though I never actually held one of the console’s official controllers until last year’s EB Expo (yes, for real), I was unknowingly priming myself to be utterly ambushed by a product like the SNES Classic Edition.
As the Nintendo Switch was gearing up for its March 3rd 2017 launch, the consensus among jaded followers of the videogame industry was that however much hype the system seemed to be gathering, and indeed however many units Nintendo managed to move in that opening weekend, we wouldn’t really have a decent idea of the Switch’s success until it had passed the three-months-on-the-market milestone – which, pertinently, was roughly the time warning bells started to sound for its predecessor, the Wii U. Despite strong, admittedly holiday-boosted late 2012 sales, the Wii U’s momentum fell off big-time in 2013 amidst a notable first-party software drought and an ongoing lack of understanding of how to market the rather odd strengths of the console. Despite some scattered sales spikes over the ensuing few years, the console never truly recovered and can now only be seen as a financial flop for Nintendo.
Three months have come and gone since March 2017 – As a matter of fact the Switch has now been on the market for half a year, and pound for pound it is thoroughly outpacing the Wii U on the sales charts. At well over five million units sold worldwide, it’s even giving the PS4 a run for its money in terms of momentum. This is certainly not some single-handed saviour of Nintendo as a company – It’s way too early to even entertain that notion – but the Switch has already marked a clear change in the Big N’s public perception for the time being. Given the ongoing interest online in how this inventive little console has been tracking, and indeed the hundreds of hours (and dollars) I myself have invested in it, let’s have a look at what the Nintendo Switch has got right and wrong so far, shall we?
Yes, I get it, I’m hardly unique among the denizens of the internet in talking about hands-on experience with the Nintendo Switch. Thus far Nintendo has been reasonably good at getting the system out into people’s hands and plenty of those people have been forthright in sharing their opinions through podcasts, forums and YouTube videos the world over. I have consumed far too many of these impressions myself.
Those are my hands and that’s a Switch. Yep.
But last weekend I was indeed fortunate enough to play the thing myself – Thanks RTX Sydney – and I have several thousand words worth of thoughts to share. But rather than regurgitate the recurring thoughts I’ve heard plenty enough about already – the surprising build and screen quality, the comfortable designs of the joy-cons, the appeal of ARMS etc – I’m going to focus on some smaller things I’ve heard almost no-one talk about so far. .
1. The Joy-Cons’ Buttons Are Miniscule
A lot has been made of just how small the frame of the joy-cons themselves are, but I haven’t seen much talk about the buttons themselves. These things are tiny. Anyone who has owned a PlayStation Vita will be familiar (and likely comfortable) with such a size bracket for face buttons, even if these are slightly bigger. Of course there aren’t all that many people who fit into that category, so it’s worth a mention. Even more notable are the joy-cons’ L and R buttons, which are literally wafer-thin, no exaggeration. They don’t exactly feel flimsy, and they’re well-placed enough to ensure you won’t miss pressing them, but I’ve never seen anything quite so narrow on a controller or portable console before. That’s unless you count the “+” and “-” buttons, which are indeed actual buttons (to my surprise), though they didn’t seem to do anything in any of the demo builds I played.
It’s hard to illustrate scale but yeah, those shoulder buttons are thin.
Speaking of clicking, every button on these things is digital and “clicky”, a la the Game Boy Advance SP, original DS, or DSi buttons. The control sticks also click in, and their movement range is necessarily constrained by their portability. But as a clear step up from the Vita nubs in this department, the joy-con control sticks take the crown as the best commercially available portable ones yet by default. While not part of the initial one-piece joy-con setup, the included wrist strap rail transforms the joy-cons’ SL and SR shoulder buttons into the only non-clicky inputs of the whole shebang. They instead feel almost springy, like they’re resisting slightly when you press them down. They sit nicely under the index fingers, though.
Well Nintendo, you’ve done it again. You’ve successfully, shall we say, been Nintendo.
It’s been an insane weekend for the Japanese videogame giant. The curtain is now (mostly) up on the tremendously exciting Nintendo Switch, the home console that can also be played as a portable (Not the other way around, as Nintendo seems very keen to emphasise). And the general complexion of the reveal event was very, very different to what the seemingly endless supply of corroborating rumours and prediction videos would have us believe. For all the credible leaks from credible sources about specific games and features that may very well still ring true, the big Tokyo event still managed to be an almost complete surprise both in its general content and where it decided to put its focus. If “Switchmas” had been right about what we were expecting, it wouldn’t have quite felt like a Nintendo show. We Nintendo fans as a general group have a habit of forgetting that, but for better or worse, the Big N was more than happy to throw us a few reminders. This is a company that does not like being predicted, but as it turns out, even the collective power of the internet’s most well-connected sleuths couldn’t quite spoil everything. And in true Nintendo fashion, said surprises have divided the internet right down the middle.
I could go through the whole presentation bit by bit and talk about my thoughts on each individual revelation (I’ve watched the whole thing twice now, plus the entire five-hour Treehouse stream that followed half a day later and countless YouTube hands-on reactions), but there’s a better way to do this.
. – Nintendo’s Modern Console –
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The raw processing specs of the Nintendo Switch remain elusive in any sort of official capacity, though I have every reason to believe that Eurogamer’s December leak will turn out to be a fairly decent approximation. That leaves us with a console that’s more capable when sitting in its dock/outputting through the TV than when played on the go, but only as long as we’re talking about display resolution and theoretically (though hopefully not) frame rate. In it’s weakest configuration, we can expect it to be more powerful than the Wii U – that much is supported by the impressions coming out of the public-facing events of the last two days – but even at it’s strongest, it’s almost certainly going to come off weaker when compared to the standard Xbox One and PS4 models. That means the biggest triple-A third party releases will probably be skipping the Switch, unless it really takes off sales-wise and it becomes worth the extra financial investment to port down. It also means Nintendo’s first party games will continue to look amazing, and just about every big indie hit you can think of should be able to make it over to the Switch, uncompromised and fully portable. Ditto for the vast majority of Japanese RPGs and such. Swings and roundabouts, time will tell etc. .
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What’s much more concrete – and refreshing, it must be said – is just about every other Switch hardware detail that has come to light over the last few days. The system will not be region locked (there are no words for how happy this makes me), it has a 6.2 inch, 720p capacitive touch screen (i.e. multi-touch, like the PS Vita or a smartphone), supports the current standard 802.11ac Wi-Fi spec, allows up to 8-player local wireless interaction, charges via super-fast USB-C – which is only just now becoming widespread on Android phones – and supports expanded memory via the reasonably cheap and easy-to-find Micro SDHC/Micro SDXC cards (At least up to 256gb according to one moment during the Treehouse stream, which would have been more than enough to fit everything I’ve ever bought on the Wii U). Its battery life is quoted as being between 2.5 and 6 hours depending on the game you’re playing, which is about what we could have expected; certainly not enough to last an international flight, but coupled with that USB-C charging port, it should easily be juiced enough to cover your daily work commute no matter what you’re playing. This is all very good news if you ask me, especially when combined with the generally premium look and – based on what I’ve read so far online – the feel of the system. This is a sleek, modern device.
2016 was ultimately a much better year for videogames than it might currently feel like it was. No really, I mean it. Some of the latter-year triple-A releases may have failed to hit the mark with large enough audiences, and the pacing of the videogame release schedule in general was super weird (What on earth happened to the trend set over the last couple of years that June/July/August can be a smart period to release games? Why was Ubisoft the only company releasing anything big in the first three months of the year?). Yet when you look at a list of all the titles that hit over this bizarre 12-month period, there’s a hell of a lot of quality there. The indie and JRPG scenes in particular had phenomenonal 2016s, multiple games with years upon years of hype delivered on at least some of it, and there were plenty of surprising hits that came seemingly out of nowhere. Welcome to this countdown of my favourite 15 videogames of 2016.
The letters in parentheses after each title indicates where I played that game.
. -◊-◊-◊-◊- VR BEST OF 2016 DISCLAIMER This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s strange. Fun, but strange. Respectful disagreement is very welcome. -◊-◊-◊-◊-
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15. ReCore (XBO)
At the start of the year I might have expected I’d soon play a 2016 game with 3D platformer collect-a-thon roots, but never would I have thought I’d find it inside that Xbox-exclusive Keiji Inafune/Armature game announced at last year’s E3. It turns out that ReCore is more of a platformer at heart than any retail 3D action game released this decade, and its airborne control mechanics feel wonderful. It also packs a massive world that encourages exploration and plenty of colour-coded shooting boss battles that aren’t afraid to get difficult, with customisable robots thrown in for good measure. Some confusingly restrictive systems and a lack of environmental variety may weigh it down as it plods through its latter stages, but ReCore is still one of the year’s most pleasant surprises for me.
Vagrant Rant 