Posts Tagged ‘Movie’

23 Nov

Movie Review: Spectre

Posted by vagrantesque in Movies. Tagged: , , , , , , , , , , , , , .

We’re nearing the end of the year in movies, and that means my personal “big four” most hyped films are just about on screens. The first of these is 007’s latest outing. Let’s go.

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Starring: Daniel Craig, Christoph Waltz, Ralph Fiennes
Director: Sam Mendes (American Beauty, Skyfall)
Rating: M
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In my experience watching and discussing movies, I’ve come to realise that modern James Bond fans, diverse as they are, fall into two major categories: Those who like the movies despite their tendency to hit similar notes each time, and those who like the movies BECAUSE of their tendency to hit similar notes each time. The Daniel Craig era of Bond films has certainly courted the former type more than the latter, sporting a more rustic, sombre edge than the 007 movies of old, not to mention a tendency to draw inspiration more from Bourne and Batman than former incarnations of the suave super-spy.

In 2012 this trend arguably reached its peak with Sam Mendes’ Skyfall, my personal favourite Bond movie, and having achieved something quite surprising given his decidedly non-action back catalogue, Mendes and his crew have returned to make a very different kind of James Bond movie – one for the traditionalists. Spectre is sillier, grander in scope, packs more characters and “ticks more Bond movie boxes” than any of the other three Craig outings, which pretty much means that depending on what kind of Bond fan you are, there’s probably no avoiding either a palpable sense of disappointment or a refreshing sigh of relief. Either way, however, Spectre is a pretty fun time at the movies.

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26 Jun

Movie Review: Inside Out

Posted by vagrantesque in Movies. Tagged: , , , , , , , , , , , , , , .

It’s a bit more difficult to see and review movies these days. Here’s a good one though.

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Starring: Amy Poehler, Bill Hader, Mindy Kaling
Directors: Pete Docter, Ronaldo Del Carmen (Monsters Inc, Up)
Rating: PG
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It’s probably safe to say that the dwindling reputation of Pixar has been one of the most widely discussed trends, in one way or another, of cinema this decade. Following the superlative Toy Story 3 in 2010, the relatively run-of-the-mill (though masterfully animated) Brave attracted far more negativity than it deserved, simply because it wasn’t quite as memorable as any of Pixar’s previous non-Cars output. When Monsters’ University hit a couple of years ago, it’s comparative lack of originality hurt its perception, though I really liked it. The wonderfully original likes of Up, WALL-E, The Incredibles and Finding Nemo seemed like the product of a different Pixar era, particularly as Disney Animation Studios’ run of stellar recent films began to take over the animation spotlight. So it is shaking out as somewhat of a surprise (though it really shouldn’t be) that Inside Out is exactly the kind of film that Pixar fans have been waiting for. It ticks all the boxes – Unique, visually arresting, and above all emotionally resonant.
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6 Jun

Movie Review: Mad Max – Fury Road

Posted by vagrantesque in Movies. Tagged: , , , , , , , , , , , , .

Yes, this one’s kinda late, and kinda short. Also, a bit of background: I have not seen the first three Mad Max movies, but you really don’t need to if you’re interested in this new one.

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Starring: Tom Hardy, Charlize Theron, Nicholas Hoult
Director: George Miller (Mad Max, Happy Feet)
Rating: MA15+
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OK, wow.

If there’s been a bigger example of late hype pulling me into a film over the last several years, I can’t remember it. With next to no knowledge of Aussie director George Miller‘s acclaimed 30 year old Mad Max trilogy, other than the fact that it was kind of a big thing once, I went to see Mad Max: Fury Road based on pretty much word-of-mouth groundswell alone. And goodness, gracious, what a ride.

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2 May

Movie Review: Avengers – Age of Ultron

Posted by vagrantesque in Movies. Tagged: , , , , , , , , , , , , , , , , , , , , .

Yes, we have already reached another summer blockbuster movie season. I’ve already seen this sucker twice and have let it settle for a bit before writing this.

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Starring: Robert Downey Jr, Chris Evans, Jeremy Renner
Director: Joss Whedon (Serenity, The Avengers)
Rating: M
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And so it is that Marvel’s all-conquering cinematic universe has completed its second “cycle” (well, almost – there’s still technically Ant-Man left in July). Even though it seems like yesterday that his first Avengers movie changed cinematic history by tying up four movies of build-up with a very pretty, rather hilarious bow, Joss Whedon has returned with his second and final major contribution to the increasingly expansive web of continuity that is the MCU. And while it’s probably fair to say that it would have been impossible for Age of Ultron to match the euphoric sense of triumph achieved by its predecessor, something tells me that we’ll be lamenting the lack of Whedon come the third movie. He just gets ensemble stories like this.

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19 Apr

The Importance of Film Scores

Posted by vagrantesque in Movies, Music. Tagged: , , , , , , , , , , , .

Now time for creth8, an absolute authority on film and film language who spends a lot of time in media relations and is quite a talent to boot.

—Written by creth8—

—Edited/formatted by Vagrantesque—

To the casual filmgoer, it’d likely be the acting, set pieces or tone that gets discussed after one’s latest cinematic encounter. It would rarely be the music score that would leave much of an impression – which is a great shame. As the saying goes, “Sound is 50 percent of the moviegoing experience.” Film scores (and sound effects) actually do a lot to enhance acting, set pieces and tone. Whilst Bernard Hermann (North By Northwest, Psycho, Taxi Driver) did much to revitalise the popularity of soundtracks, John Williams was arguably more influential. Most film lovers would be able to hum the themes to Star Wars, Indiana Jones and ET with great ease. Williams famously employed leitmotifs – themes for characters, locations and thematic ideas – into his scores. It’s a great pleasure to hear themes reoccur in different variations to suit the onscreen action.

The theme is in your head right now, isn’t it?

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18 Apr

Five Films That Defined My Childhood

Posted by vagrantesque in Movies. Tagged: , , , , , , , , .

Changing gears towards a movie theme, we have Lemuriacalling giving us a very personal article. If you like what you see, you can find his tireless videogame writing work over at respawn.ninja, under the name Toby Berger.

—Written by Lemuriacalling—

—Edited/formatted by Vagrantesque—

I’ll admit this straight away – growing up in the 90’s pretty much rocked. From Rugrats, to the original Pokemon TV series, to Cheese TV – I couldn’t even fathom how I’d have turned out if I was born in this day and age. And while I was swiftly digesting my favorite cartoons of a morning before school would begin, films were still the beast of the media world. Before video games became the massive phenomenon we’re so used to now and cinematic-style TV was still finding its feet, films were the creme-de-la-creme of spectacle. Titanic, E.T., Jurassic Park, Star Wars… all absolutely fantastic in their own way. Going out to the cinema was something families would be genuinely excited to do back then. There was no internet to pirate movies from, CDs were only just becoming a thing and most of all, it was a solid way to bond with your family, friends, and dare I say it – a date or two.

This may not be an accurate depiction of a young Toby.

 

When I started really engaging in film, there was a period of my life that just revolved around watching every movie possible. I absolutely loved them. They were mildly short bursts of something (mostly) original and unique, and because I was a youngster I’d come out of a superhero movie thinking I had powers, I’d come out of a Lord of The Rings movie thinking I’ve just witnessed a battle for the ages, but most importantly, I’d regularly come out of a Saw movie with a massive grin on my face. I wasn’t entirely normal when it came to taking in films, and when I turned around eight or nine I developed a real passion for horror movies. I absolutely adored these monstrosities of filmmaking and enjoyed the gore, the scares, and the monsters. This top five list didn’t take me that long to conjure up because I have such fond memories of being scared out of my brains during a handful of the films I’m about to mention, but I thought it’d be an interesting read none the less. The films are in no particular order, as they all played a significant part in defining my childhood.

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10 Mar

Mega Ultra Blast Cast Ep.38 – Introducing Baby Barlow

Posted by vagrantesque in MUBC. Tagged: , , , , , , , , , , , , , , , , , , , , , .


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It’s a special, limited edition sort of time, because in the absence of Delaney my brother Cameron joins Shane and I on Episode 38 of the Mega Ultra Blast Cast, where we discuss the best superpower, Kinect horror stories, memories of Mario Party, loose wizard physics and a tiny bit of League of Legends. We also revisit the topic of the rise and fall and maybe-rise-again of Square Enix, why the latest Monster Hunter game may be the best one yet and the sheer ludicrousness of Starwhal. Enjoy.

If you feel so inclined, go for a run, take a scenic drive, jazz up your afternoon commute or just curl up on the couch and play some games while you listen to the opinions of three mix-and-matched Sydneysiders.

You can play the whole episode right off this page if you like:


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Or you can go to the Soundcloud site/app and listen from there:
https://soundcloud.com/mega-ultra-blast-cast/mubc-38-introducing-baby-barlow

(To download and listen offline, follow the link and then click the download tab)

As always if you enjoy what you hear please share the cast with your friends – Until next time!

28 Feb

My Take on the Big Films of the 2015 Oscars

Posted by vagrantesque in Lists, Movies. Tagged: , , , , , , , .

So now I’m caught up on this year’s Oscars, but rather than break down what I thought of every award like I’ve done in the past I’m going to quickly run down my thoughts on the handful of Oscar-nominated films I’ve actually seen, because I just need to put something to the keyboard before I can move on.

Serious movies, yay!

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Birdman or (The Unexpected Virtue of Ignorance)

Won: Best Cinematography (Emmanuel Lubezki), Best Original Screenplay, Best Directing (Alejandro G. Inarittu), Best Picture
Nominated For: Best Sound Mixing, Best Sound Editing, Best Actor (Michael Keaton), Best Supporting Actor (Edward Norton), Best Supporting Actress (Emma Stone)

I wouldn’t quite give my personal Best Picture nod to Birdman, but the sheer number of ways in which it tosses up a unique gimmick and nails it means I can hardly begrudge it the adulation it receives. The script is a tad pretentious, to be sure, but the movie does a lot of things very well, and any other winner in the Best Cinematography category would have been a tragedy. Emmanuel Lubezki, whose exemplary work in Gravity certainly did not go unnoticed, makes the film feel like it’s all one continuous take, and he does it extraordinarily well. I feel like the movie should have won some kind of audio award for its amazing improvised drumming soundtrack, and Edward Norton should count himself unlucky that he was in such a strong field for Supporting Actor.
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The Imitation Game

Won: Best Adapted Screenplay
Nominated For: Best Film Editing, Best Production Design, Best Original Score (Alexandre Desplat), Best Actor (Benedict Cumberbatch), Best Supporting Actress (Keira Knightley), Best Directing (Morten Tyldum), Best Picture

A fascinating real life set-up provides the stage for everyone’s favourite Hollywood name to dominate the screen as genius social outcast Alan Turing, the man chiefly responsible for creating a machine capable of decoding the encrypted radio messages sent by the Nazis every day of the Second World War. The Imitation Game balances an exploration of the troubled man beneath the arrogant, awkward exterior of Turing and the grave task he and his team have to complete, all the while avoiding the temptation to run for too long. The script, however, is the real star, thoroughly deserving of its Oscar. From its hilarious opening interview to its heartfelt final conversation, the film is tight, concise and entertaining. I’m not sure why Knightley was nominated, though. She doesn’t get a whole lot to do.
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Whiplash

Won: Best Supporting Actor (J.K. Simmons), Best Sound Mixing, Best Film Editing
Nominated For: Best Adapted Screenplay, Best Picture

I only just watched the much-hyped Whiplash today, and it is indeed very, very good. J.K. Simmons’ monstrous turn as the short-tempered Draconian jazz teacher who torments a young drumming prodigy is well-deserving of his Oscar win, and indeed all the other awards he picked up for the role as well. Miles Teller, as said prodigy Andrew Neiman, gives one hell of an intense performance too, and his drumming, combined with some incredible award-winning editing by Tom Cross, lights the film on fire in the breathtaking final 15 minutes. Palpable tension permeates Whiplash, and its narrative is as unpredictable as Simmons’ venemous character. Great stuff.
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Interstellar

Won: Best Visual Effects
Nominated For: Best Production Design, Best Sound Editing, Best Sound Mixing, Best Original Score (Hans Zimmer)

This one is the least fresh in my mind, as I saw it when it was still in cinemas last year. To me Interstellar was disappointing enough to sneak onto the tail end of my Top 10 Disappointments list of 2014, not because it’s a bad film (it isn’t), or even a boring one (it isn’t), but because its uneven tone and frequently distracted shifts of focus make it seem a little out of place alongside Christopher Nolan’s excellent suite of individual films in the past, chief among them Memento, the Prestige and Inception. It does have strong visual effects, but I believe Rise of the Planet of the Apes was the more deserving nominee from that category.
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The Grand Budapest Hotel

Won: Best Original Score (Alexandre Desplat), Best Production Design, Best Makeup & Hairstyling, Best Costume Design
Nominated For: Best Film Editing, Best Cinematography, Best Original Screenplay, Best Directing (Wes Anderson), Best Picture

This charming movie was released a very long time ago in Oscar terms, which renders its incredible nine nominations a little surprising, though nonetheless deserved. I only saw it last week, so the film is still vivid in my memory, and it is positively delightful. It would actually be my pick for Best Picture out of the Academy nominees, with Whiplash a close second. Its near-complete sweep of the major visual awards is hardly surprising, as its endlessly creative aesthetic is unlike anything I’ve ever seen. Quirky, star-studded, memorably acted (particularly in the cases of Ralph Fiennes, Jeff Goldblum and the shape-shifting Tilda Swinton) as well as mercifully brief, The Grand Budapest Hotel is a Wes Anderson movie through-and-through, and you should definitely watch it.
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Big Hero 6

Won: Best Animated Feature Film

I just want to say that while I think How to Train Your Dragon 2 deserved this award more (It was my second favourite movie of last year, after all), I am still very happy about this. That’s all.

 

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Notable Nominees/Winners I Haven’t Seen at Time of Writing

The Theory of Everything

American Sniper

Boyhood

Still Alice

Selma

Foxcatcher

23 Feb

Mega Ultra Blast Cast Ep.37 – What does a game’s length mean to you?

Posted by vagrantesque in MUBC. Tagged: , , , , , , , , , , , , , , , , , , , , , , , , .


mubc2

With the recent controversy over the length of The Order: 1886, Shane,Delaney and I knuckle down and get stuck into a heated debate over the importance of game length on the latest episode of the Mega Ultra Blast Cast! We also talk plenty about our experiences with Evolve, the gigantic Spiderman news in the Marvel Cinematic Universe, the rumoured live action Zelda TV show, the amazing first gameplay trailer of Persona 5, the “2-1-3” sequel theory and whether a zombie apocalypse could actually happen in today’s world. It’s hard-hitting and real – it’s the Mega Ultra Blast Cast.

If you feel so inclined, go for a run, take a scenic drive, jazz up your afternoon commute or just curl up on the couch and play some games while you listen to the opinions of three jazzed Sydneysiders.

You can play the whole episode right off this page if you like:


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Or you can go to the Soundcloud site/app and listen from there:
https://soundcloud.com/mega-ultra-blast-cast/mubc-37-what-does-a-games-length-mean-to-you

(To download and listen offline, follow the link and then click the download tab)

As always if you enjoy what you hear please share the cast with your friends – Until next time!

13 Feb

Movie Review: Kingsman – The Secret Service

Posted by vagrantesque in Movies. Tagged: , , , , , , , , , , , , , , , .

Back into the swing of things with a nice tame film review! JK Matthew Vaughn.

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Starring: Colin Firth, Samuel L Jackson, Michael Caine
Director: Matthew Vaughn (Kick-Ass, X-Men: First Class)
Rating: MA15+
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As far as spy movie send-ups go (and there are many), Kingsman: The Secret Service is not the kind of straightforward spoof you might expect going into the cinema. Yes, it’s got fine suits and fancy James Bond gadgets and a larger-than-life villain, and it certainly pokes fun at those things, while also kind of doing them really well. But it’s also a Matthew Vaughn film through and through, which means if you didn’t enjoy his irreverent, stylishly ultraviolent, occasionally uncomfortable 2010 film Kick-Ass, it’s unlikely you’ll fall for Kingsman. However, if that movie was your cup of tea, you can expect a good time with the Brit’s latest.

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