Posts Tagged ‘ten’

Best of 2022: Five Special Awards

Last year this list of mini-lists had a bit of a shake-up, thanks largely to the increased amount of TV content with tenuous connections to the material Vagrant Rant normally covers; but I figured it had been such a unique year that 2022 would surely see some of the older categories come back. Nope, here we are with the exact same five. Maybe 2021 was more of a trailblazing year than it appeared?

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VR BEST OF 2022 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is as likely as avoiding MCU fatigue. Respectful disagreement is most welcome.

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Best Third-Party Game Publisher

Square Enix

We kick off with a back-to-back win for Square Enix; but even though its competition could only be described as paltry this year, the way the Japanese gaming giant went about dominating 2022 could not have been more different from its more measured and western-leaning 2021 efforts. As covered on yesterday’s list, Square didn’t exactly come out of the blocks flying this year, but never in my wildest adolescent dreams could I have expected the sheer volume – and at times relentless pace – of the Japanese role-playing output they had in store to help people forget how weird it was that they shed all those powerhouse western teams all at once.

Re-releases, fresh ideas and combinations of both abounded as Final Fantasy VI Pixel Remaster led into Triangle Strategy, the aforementioned Stranger of Paradise: Final Fantasy Origin, the shock localisation of Radical Dreamers as part of the Chrono Cross remaster, the even more shocking localisation/remake Live A Live, then Romancing SaGa: Minstrel Song, The DioField Chronicle and Valkyrie Elysium back-to-back, a premium-quality Nier Automata Switch port, then a five-week holiday period stuffed with Harvestella, Tactics Ogre Reborn, Dragon Quest Treasures and finally Final Fantasy VII: Crisis Core Reunion. There were also two whole Voice of Cards RPGs released throughout 2022. Given where this company was at a decade ago “staggering” doesn’t begin to cover it, and I’m probably forgetting something too. Is a 2023 win on the cards too? Looking at the schedule, I wouldn’t count it out.

Runner-Up: Focus Entertainment

Best Indie Game Publisher

Devolver Digital

As always, this was a fun one to call; it seems indie publishers are only getting better at curating and fostering quality in gaming’s most exciting space. Raw Fury had a quiet one by their standards, only really offering the critically-loved NORCO as a brand-new title; everything Chucklefish announced got delayed (almost certainly a good thing); and most of the glints in the eyes of Gearbox Publishing are still on the horizon. That left us with a good old-fashioned heavyweight battle pitting Annapurna Interactive – house of the beloved Stray, A Memoir Blue, and Neon White – against Humble Games – who gave us runaway hits Temtem and Signalis alongside the underrated Chinatown Detective Agency and Prodeus. It’s a toughie, but my pick goes to Annapurna – just – for reasons that may become clear by the end of the year.

All that fight is just for the runner-up spot, of course, because Devolver Digital spent 2022 doing a lot more than simply producing their best mid-year game presentation in years. The indie publishing veterans showed the rest of the industry how it’s done, letting loose the likes of Samurai Warrior 3, Trek to Yomi, Weird West and Card Shark to delight players with all kinds of tastes in the first half of the year alone, before sealing their dominance with two of the biggest indie hits in recent memory. Return to Monkey Island is the point-and-click return to form no one saw coming, and as for Cult of the Lamb… well, that one may have just codified an entire subgenre.

Runner-Up: Annapurna Interactive

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Best of 2022: Top 10 Disappointments

Another year, another increasingly personal and petty list full of stuff that upset me personally about the media I consumed in 2022. And in a year filled with more deeply upsetting stories about the people who work on said media, that is absolutely worth repeating more than ever: this list exists as a chance to whinge and complain about the end products that make their way into consumer’s hands and have a bit of fun getting a bunch of first-world problems off my chest. As a normally quite optimistic person, I wouldn’t bother to start this otherwise positive two-week-long celebration with a negative list if that wasn’t the case. And my oh my, were there some petty things to complain about in 2022. Time to dig in.

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VR BEST OF 2022 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is as likely as avoiding MCU fatigue. Respectful disagreement is most welcome.

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10. No Hands on Deck Down Under

We are entering another golden age for dedicated portable gaming, roughly a decade after it was given its last rites across media outlets the world over. The Playstation Vita and the Wii U sure as hell didn’t save it from the threat of casual phone gaming, but the Nintendo Switch sure did – and now years later there’s a burgeoning handheld PC market bubbling up to fill the processing power gap left by the Switch’s ageing components. The golden child of this movement? Valve’s Steam Deck, which has been in the hands of enthusiasts and influencers overseas for over a year now. Every few months Valve announces a few more worldwide territories for the hardware’s launch, and every few months Australia fails to make the cut. Thank goodness for the AyaNeo range.

9. The Dinosaur Movie That’s Somehow Too Big

2022 was actually a really good year for movies; I personally found actual disappointments not only hard to come by, but vastly outnumbered by genuinely wonderful surprises. Alas, I can’t very well have this entire list be videogame-related, so I’m giving a dishonourable shout-out to Jurassic World: Dominion. Somehow a perfect fan-servicing cast and more onscreen dinosaurs than ever added up to an overblown, unfocused mess unwilling to pick a lane or convincingly land any punches. All-up there was probably one 2022 movie more disappointing than Jurassic World: Dominion, but this was still probably the least fun I had in the cinema all year.

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Best of 2022 Intro

So the curtain comes down on a year that, certainly as far as entertainment media was concerned, reminded us all a little of what life was like in the distant halcyon days of 2019. Videogame consoles and PC parts readily available to purchase and take home (eventually). Massive movie blockbusters that don’t necessarily need to feature comic book superheroes to draw proper crowds for a good, fun night out. Korean popular music that didn’t have to rely on a 1980s synth backing track to catch the ear.

Yet so much of the entertainment landscape still feels irrevocably influenced by the last couple of years, a phenomenon that seems oddly fitting as this site moves forward into its second decade. The gaping holes in the middle of the videogame release schedule this year are testament to that, as is the gentle wave of new films that draw direct attention to the interpersonal struggles of a post-2020 world. The arguably inevitable increase in prominence of solo artists within the K-Pop and K-R&B album space has also accelerated slightly as producers and performers take advantage of all those recently-developed introspection habits.

2022 was a year packed to the brim with games, movies and K-Pop worth discussing, and I’m going to do just that over the next 10 days. If you decide to join me for any of the next ten countdown lists, thank you for taking the time to do so, and I hope you enjoy. We kick things off tomorrow morning.

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VR BEST OF 2022 DISCLAIMER

These lists represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting them as I have. My opinion is not fact. To agree with me 100% is as likely as avoiding MCU fatigue. Respectful disagreement is most welcome.

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Best of 2021: Top 10 K-Pop Albums

2021 may have thrown my Korean music listening habits all sorts of curve balls, but at the end of it all, this consistently maddening list was once again the hardest and most time-consuming one to construct. No matter how much musical content I skip, there is always a mountain of quality Korean album content to grace my ears; there are always tight calls to make in the ordering of those albums; always moods ready to take hold and change up how I respond to them at any given time. Those moods were quite often on the more negative end of the spectrum this year, and 2021 was a particularly strong year for ballad B-sides, so you may see that reflected in the rankings.

In any case, the list before you now is done now and I’m pretty confident it represents a strong line-up of audio quality. Headphone up.

A special mention this year has to go to LambC’s excellent full-length album treat I’ll see you when I see you, which would have ranked very highly on the list except it’s entirely in English – It didn’t quite feel fair giving it a proper ranking given what I’ve disqualified in the past. But please, go listen to it.

1-3 tracks = N/A

4-7 tracks = mini album

8+ tracks = full album

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VR BEST OF 2021 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is beyond unlikely. Respectful disagreement is most welcome.

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MINI ALBUMS

5. I burn – (G)I-DLE

One of the coolest things to come out of (G)I-DLE’s fruitfully unexpected partnership with League of Legends is the fast-tracking of star member Soyeon to the role of group producer, and never before has the leader been given as much control over a multi-song project as she has with I burn. Conceived as a spiritual continuation of the HANN vibe that punctuated the group’s debut year back in 2018, I burn’s title track HWAA can’t help but feel a tad derivative as a result – at least when experienced alone. Listen to the entire EP, however, and you just might find the most sonically consistent mood piece in mainstream K-Pop this year.

Building out of seven sombre piano notes that spread out and become a melancholy intro with light – but not airy – vocals, the mini album finds an ethereal pocket and stays hovering there, doing somersaults for occasional flair but never threatening to break out into a sprint – or quite dipping into ballad territory. It’s all full-sounding, lower-register vocals mixed around one another at a mid-tempo pace on moody backing tracks. Even Where is love, the danciest track on the thing, uses all the trappings of a modern girl group B-side without actually raising the heart rate. The best tracks are the final two, LOST and DAHLIA; they work because the embers within the preceding songs have been fanned with such a steady, unbroken pace, and what’s left is a chance to really smoulder with style.

4. Stairs – Stella Jang

Stella Jang at last puts her trilingual songwriting prowess into album form with Stairs, the pocket follow-up to last year’s full-length easy listening triumph Stella I. Though 2021 was the most prolific year in Jang’s fringe-skimming career – she released singles with wistful thirty-something relatability, understated city-pop panache, and ragtime reimagination while cameoing on that aforementioned LambC album – another sustained studio session was always going to hold the greatest potential for another hit of that emotional resonance she managed in 2020.

In mid-October we finally received that hit: a piano instrumental backed with faint heartbeats and footsteps in stereo giving way to an English lead track packing plenty of Jang’s signature bitter whimsy. A pair of Korean tracks follow – an old-timey lounge-leaner and a mid-tempo acoustic jaunt – neither one losing that paradoxical tone. Then the finale: a full-on French flex with simple ambitions that ties together the European undercurrents of the whole EP and promises to open yet another avenue for a discography that is finally starting to gather some real steam.

3. Planet Nine: Alter Ego – ONEWE

The increasing acceptance of actual bands into the stables of K-Pop labels not ostensibly known for employing instruments isn’t just allowing for said labels to diversify their sounds; it’s starting to produce some delightfully confusing emotions for yours truly. Some of the songs on ONEWE’s Planet Nine: Alter Ego (yay for another needlessly complex album title) sound like they wouldn’t have been out of place on my CD rotation as an angsty teenager in the mid-2000s. Exhibit A: The wistful, bellowing chorus of the lovesick AuRoRa, which kicks off the tail of the EP following lead single Rain to Be, which I talked about last week.

But that’s not all this handy mini-album can do; the chorus of the similarly-themed Veronica brings in a decidedly bubblier J-Rock riff to encourage some different emotions (both name-themed tracks incidentally ascended to get their own music videos later down the track). LOGO scrubs up the processing to let a single electric guitar sing before hitting the ground running on a soaring anthemic chorus line, while A.I. brings out a relentless circular rhythm that carries the EP’s momentum through to its final stretch. You could do much worse in the growing Korean pop-rock sphere than this gem.

Click here to let the tunes roll on

Best of 2020 Closer

Well now I guess we’re in 2021. While that isn’t magically going to solve all of 2020’s problems, it will reset the multiple arbitrary counters in my mind and allow me a little while to play/watch/listen to things that don’t absolutely have to go onto a pile for consideration towards the next annual countdowns. It sounds silly, but that feels like a massive load off at the moment. I hope the calendar reset has, in some small way, made you less stressed as well.

Anyway, here’s all the good stuff from last year:

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1. Top 10 Disappointments

2. Five Special Awards

3. Top 15 K-Pop Singles

4. Top 10 Movie Characters

5. Top 10 Game Consoles

6. Top 10 Movie Scenes

7. Top 10 Gaming Moments

8. Top 10 K-Pop Albums

9. Top 15 Games

10. Top 10 Movies

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Best of 2020: Top 10 Movies

Just one more day of 2020 left, so it’s perhaps fitting that this series of countdowns ends with the list most affected by the year’s defining pandemic. Finding good new movies in 2020 was a tall task throughout most of the year due to the ongoing game of film studio chicken going on overseas, but streaming services did just enough to hold us over with their own exclusive releases until the flurry of bigger-name films began to hit around mid-to-late October – only accelerating from there. For a long stretch of the year I was seriously considering reducing this list to a more casual top five, but in the end I was just about able to scrape together a full list.

A quick thing I realised while finalising this list: I saw way fewer movie trailers this year than any before it; and while that probably means I missed some movies I might’ve checked out otherwise, I really think it improved my actual watching experience for quite a few of them. Just a thought that came to mind as I was grabbing trailers for this page.

Anyway, it’s time to put 2020 behind us.

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VR BEST OF 2020 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is an utterly bizarre coincidence. Respectful disagreement is most welcome.

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10. Onward

It already feels like years since I watched Onward – 2020 will do that to ya – so all that really stands out to me about it when I look back is that amazing finale. But the rest of the movie is still worth checking out; it’s basically Pixar’s take on a road movie, and even if that well-worn comedy hi-jinks structure feels like a bit of a waste of a really cool fading-magic-world setup, Chris Pratt and Tom Holland give spirited vocal performances backed by Marvel chemistry to keep things engaging. The mythical supporting cast is also good fun to watch while the movie prepares its pile of emotional bricks. Whenever Pixar sets its sights on a family unit, you just have to watch your tear ducts.

9. Mank

This one feels weird to talk about, because I can’t really tell you much of what Mank is trying to say as a story, and I’m sure plenty of old-school Hollywood references soared right over my head; ultimately my enjoyment of David Fincher’s latest film comes down to every layer of production except the deepest ones. The shot composition and period-apt transitions are on-point; the first of two jazz-soaked December 2020 scores by Trent Reznor and Atticus Ross (there’s an utterly weird bit of trivia) is just fabulous; and not only is every performance excellent, there’s proper variety in the work of each major player. Lily Collins and Tuppence Middleton steal scenes on opposite ends of the patience scale, Charles Dance commands the movie on the strength of his reaction shots alone, and of course Gary Oldman and Amanda Seyfried take turns making themselves at home within every frame. A case of style over substance that works for me.

Click here to bring the year home

Best of 2020: Top 15 Games

Ah, 2020 – you came, you saw, you reduced us all to the last shreds of our sanity. But my word; you sure gave us some incredible videogames to fill the time.

This past year brought the interactive goods like it was 2017 all over again: the genuine power behind Dreams’ boundless player expression; the frenetic flow of Doom Eternal; the absolute ton of new content in Persona 5 Royal; the revolutionary VR jaw-dropper Half Life Alyx; the shiny systems sandbox of Watch Dogs Legion; the viral push of Valorant; the unreal ambition of Microsoft Flight Simulator‘s return; the grand scale of Immortals: Fenyx Rising; the unlikely success of long-awaited sequels Crash Bandicoot 4: It’s About Time, Spelunky 2 and Streets of Rage 4.

We had gorgeous remakes like Resident Evil 3, Demons’ Souls and Tony Hawk’s Pro Skater 1+2. We had acclaimed games with laser-targeted niches and actual budgets, like Wasteland 3, Star Wars Squadrons and Nioh 2. We had strategic gems like XCOM Chimera Squad, Gears Tactics and Othercide; amazingly fresh indies like Spiritfarer, Carto, Paradise Killer, The Pathless, Bright Memory and Sakuna: Of Rice and Ruin; hugely successful spin-offs like Minecraft Dungeons and Hyrule Warriors: Age of Calamity. And of course, we had the one and only Cyberpunk 2077.

That’s just the stuff that didn’t make my list.

To qualify a game for this top fifteen I need to have played it for more than five hours and/or finished it, unless it’s multiplayer-focused. That disqualifies a lot of good stuff that I was enjoying but stopped playing early due to interruptions, such as plenty of the games I just mentioned but particularly Ikenfell and Sakura Wars. I also cannot use a 2020 re-release of an old game on a new platform unless I didn’t play the original release at all – This last point means some of the best games released this year (A Short Hike, Pikmin 3 Deluxe, Dragon Quest XI S – all of which you should definitely play) cannot count.

Without further ado, these are my fifteen favourite videogames from 2020. Parentheses indicate where I played each game.

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VR BEST OF 2020 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is an utterly bizarre coincidence. Respectful disagreement is most welcome.

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15. Animal Crossing: New Horizons (NS)

2020’s Animal Crossing: New Horizons really could have gone anywhere on this list; anyone who got involved in that initial two-month wave of communal playing could tell you that as long as it’s got new content to offer, this is less a game and more a daily life activity on roughly the same level of necessity as brushing your teeth. As a result some people will have this in their number one spot while others may forget to even think about it in the GOTY conversation – and so using it as an introduction of sorts to this list just feels right.

I’ve been playing the Animal Crossing games for almost two decades, so I’ve seen plenty of games in the series get away without adding much shiny new content. Though it’d be easy to see New Horizons as simply another addition to that legacy when looking at the right screenshots, the genius of this one is that it takes the opening moments of most Animal Crossing titles and essentially makes them the endgame of this one. You build up day-by-day from a desolate island with a mere campsite to a bustling remote town with a host of diverse facilities – all with the help of a clever new crafting system – and then eventually you get to terraform the island itself. The secret of Animal Crossing has always been about self-expression, but New Horizons takes the concept through the stratosphere.

14. Genshin Impact (PS4/Mob)

This is a weird one, because I played Genshin Impact for eight hours on its PS4 launch day (my laptop was being repaired at the time), then checked in daily over a couple of weeks for no more than the login bonuses, tried the mightily-impressive (sadly cross-save-incompatible) mobile version for an hour or so, then never went back to it. But I just can’t not have it on the main list; this game may be a confusing pitch blending the gacha mechanics of standard free-to-play mobile RPGs with a distinctly skin-deep Breath of the Wild approach to environment design, but in its moment-to-moment gameplay it is something else entirely. It plays more like an action RPG with on-the-fly elemental mixing mechanics that – bizarrely enough – remind me of Starlink: Battle for Atlas. Its cast of characters bring vastly different playstyles to the table and slot into the story interchangeably without consequence – or emotional investment. Genshin Impact somehow feels like both the shallowest and deepest game I played in 2020, and I’m still trying to reconcile that in my head.

Two down, thirteen to go – click here

Best of 2020: Top 10 K-Pop Albums

When you’re locked down at home or the studio, you can write some pretty good tunes. That’s the message the K-Pop industry (and its satellite subgenres) sent to album fans all over the world in 2020. It was an embarrassment of audio riches this year, and I don’t think it’s a stretch to say I listened to a higher percentage of it than in any previous year (thanks again to the great Stankpop community). But I think I’ve proved my point that the state of K-Pop album production is in a better place than it was half a decade ago, so I won’t open the floodgates for honorable mentions like I did last year. Music is of course intensely subjective, but know that every single record on this page comes with my enthusiastic recommendation.

And yes, this is where the SM boys ended up; thanks for asking.

1-3 tracks = N/A

4-7 tracks = mini album

8+ tracks = full album

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VR BEST OF 2020 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is an utterly bizarre coincidence. Respectful disagreement is most welcome.

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MINI ALBUMS

5. Maria – Hwa Sa

The first MAMAMOO soloist to put out an EP I’ve enjoyed the whole way through, Hwa Sa’s big collaboration-heavy year unleashed Maria as its crown jewel. Brazenly self-reflective in a way not attempted by too many K-Pop group members, Hwa Sa uses her English name as a motif repeatedly throughout the seven tracks, letting in just one featuring artist – DPR Live – on penultimate Salsa-tinged track I’m bad too. The bounteous strings and piano on soaring spiritual closer LMM really sit with you after the mini album is done, feeling like an emphatic answer to the question posed by the diary entry of an introductory track; WHY is the big industrial centrepiece that helps get you there, though, and there’s more sardonic fun to be had within the shifting beats of the Zico-produced Kidding.

4. Jackpot – Elris

Shifting gears to something far fluffier and more energetic; Elris’ fourth mini album is a surprisingly great sugar hit with some serious crunch on hand to substantiate things. The introduction is a brilliantly-constructed 75-second build that might make you wonder why so few producers get their own intros so wrong – it slots right under the title track with ease and improves it out of sight. But the delightful carefree chorus of the headliner isn’t even close to the best thing on the EP, as the three ballad-free follow-ups absolutely fly by. This Is Me is a harmony-rich dose of old-school K-Pop energy that’s honestly just a better song overall (which someone behind the production must have realised, because there’s a well-produced dance video for it). But if the bass and vocals are the star there, Like I Do announces its intention to fill your headphones with delectable bell-chime treble from its first moment. Final track No Big Deal is the mini album’s secret weapon, letting the vapours of its celestial pre-chorus sprinkle over an aloof hook with minimal backing. Colour me mad-keen for the next Elris package.

Click here to let the tunes roll on

Best of 2020: Top 10 Gaming Moments

What a spicy year for videogames this was. I’ll get more into the sheer volume of good ones in a couple of days, but long story short I played a lot of games this year and finished a fraction of them. This gave me a monster of a shortlist for cool moments within those games, and they came in all sorts of flavours. The year brought us gameplay surprises, narrative shocks, and good-old fashioned feelings of accomplishment. Sadly 2020 was lacking in the ‘local multiplayer gathering’ kinds of moments that usually find their way onto this list most years, but we’ll just have to hope 2021 lets us bring more of those back.

Anyway, these are the ten gaming moments I feel like talking about the most this year.

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VR BEST OF 2020 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is an utterly bizarre coincidence. Respectful disagreement is most welcome.

THERE ARE BIG VIDEOGAME SPOILERS ON THIS PAGE.

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10. Space Infomercials – Journey to the Savage Planet

Every time you return to your ship in the darkly funny commoditised exploration adventure Journey to the Savage Planet, a colourful screen buzzing with over-the-top energy and a yelling voice of some kind awaits you. Sometimes it will show a plot-focused recorded message from the CEO of Kindred Aerospace, the 4th-best interstellar exploration company in the galaxy. But whenever it doesn’t, there’s a randomly-chosen bizarre advertisement with daytime TV vibes to chew on – and I can’t pick just one for this list. Whether it’s the visceral horror of the animated waste Meat Buddy, the purple structure-changing food replacement goo known only as Grob, or the explosion-laden pitch for fictional game Moba Moba Moba Mobile VR v17 (where microtractions are the game), the main adventure always had to take a break whenever one of these came on during my playthrough.

9. Baby Shark… – Maneater

I didn’t exactly love Maneater, but it’s definitely quite a bit of fun at the start, and I wasn’t expecting the weirdly charming low-budget-aquatic-GTA shenanigans to turn so suddenly dark immediately after its extended tutorial. I had a physical reaction when the powerful, confident shark I’d been playing as fell into the clutches of happy-go-lucky villain Scaly Pete; the guy abruptly puts an end to your predatory avatar with one gruesome slash of his knife, revealing that you were pregnant the whole time. As a sneering act of cocky faux-pity, Pete throws the newborn shark into the river, simultaneously revealing that this shark is actually the game’s true protagonist. Then it’s back to the goofy attack-feed-upgrade loop.

Click here for more moments (with some spoilers)

Best of 2020: Top 10 Movie Scenes

We return to the movies, and to a list that’s always fun to write – even, as it turns out, when there aren’t all that many movies to choose from. Because I tried to widen my movie-watching scope to fit what was available this year (especially when it came to horror films and/or films with bad reviews), I feel like I was surprised by movie scenes more than usual; even if that’s all in my head, I definitely get to talk about some real corkers this year.

Quite a few of these scenes are more about execution than narrative surprise, but that doesn’t change the fact that this is always the most spoiler-heavy list of the year. Proceed with caution.

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VR BEST OF 2020 DISCLAIMER

This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. To agree with me 100% is an utterly bizarre coincidence. Respectful disagreement is most welcome.

THERE ARE HUGE MOVIE SPOILERS ON THIS PAGE.

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10. Demon Bear Battle – The New Mutants

Yes, this is a scene that actually happens in the otherwise low-energy, high-angst teen-fiction-esque The New Mutants. Right at the end there is a giant, multicoloured spirit-bear-thing that arrives to destroy absolutely everything – I’m pretty sure it makes slightly more sense in context. The bear immediately solves one of the main problems faced by our principal gang of super-powered misfits, creates a brand-new one straight afterwards, and then proceeds to save the movie. We finally get to see the young mutants act like a team and use their formerly-mysterious powers in tandem, shipping in some emotional payoff where there wasn’t much earlier.

9. The Mall – Wonder Woman 1984

The opening action set-piece of Wonder Woman 1984 is sprawling, dramatic and epic, but it almost plays like its own weirdly unrelated short film. The second one is really something else, though. Anyone who grew up watching live action comic book adaptations of any kind before the turn of the century will find something to cringe at here, from airborne launches that look like they don’t have the budget to cover up the wire work, to cartoony spins as baddies are left in a daze, to Wonder Woman’s centre-frame commercial-ready wink at a wide-eyed child. Oh yeah, and the establishing shots for the scuffle literally start by panning up from a pair of leg warmers, then moving through neon-saturated streets and corridors lined with garish ’80s shoulder pads and perms. WW84 is absolutely in on the joke and the gleeful nostalgia had me grinning in disbelief the whole time.

Click here for more spoilers