Movie Review: Suicide Squad

Look at me, writing about things.

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Starring:
Margot Robbie, Will Smith, Jared Leto
Director:
David Ayer (Street Kings, Fury)
Rating: M

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Well OK then.

As the first DC Comics movie of a post Batman v Superman world, Suicide Squad had a bit of heavy lifting to do. It had to prove that this dark and morbid (well, compared to Marvel’s) Warner Bros shared universe is capable of having some fun. It had to introduce a handful of characters that will no doubt be important later. And in a superhero-drenched blockbuster movie climate, it had to justify its existence by doing something different. Its success in these efforts is… limited. Which side of the “character vs plot” scale you tend to lean towards will probably be hugely influential in how much you enjoy the chaotic movie.

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The 2016 JRPG Report: Quarter 2

Wow, these days it’s like I blink and suddenly I haven’t blogged in a month.

Then Pokemon Go comes out and suddenly I haven’t blogged in two months…

Well would you look at that, we’re already well into the second half of the year. This of course means it’s (well past) time for part two of my 2016 JRPG Report, a look at the second quarter of the most insanely populated year for Japanese role-playing games in recent memory. If you missed Quarter 1, click on over here.

I mentioned this last time, but Q2 was indeed noticeably less intense for JRPG fans than the opening three month period. I was able to dabble in most of the notable releases within the genre this past quarter, even taking into account the dense explosion of quality triple-A videogame releases that defined May. I even managed to finish one or two along the way, in a manner of speaking, which was nice. The biggest JRPG-related struggle I faced this time around was that of classification – I came right up against that nebulous chestnut of a question “What makes a game a JRPG?” on more than one occasion.

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WHAT I’VE PLAYED

I’ll get to perhaps the most controversial of these classification conundrums shortly, but first, to the game that contextualises it. Stranger of Sword City launched on Playstation Vita in late April (It was also supposed to release on Xbox One as it did in the US, strangely enough, but no such luck for Australians), a first-person dungeon crawling game with punishingly difficult moments and beautiful sprite-based artwork. In many ways I found it to be a more visually striking, mechanically deeper version of Demon Gaze, a dungeon crawler I had enjoyed far more than I expected back in 2014. This makes sense given they come from the same developers, but it was good to see nonetheless. Though I only played enough of the game to get a good grasp of what it is, I am glad I did, and I’d recommend it to any Vita-owning JRPG fan looking for a substantial challenge. The finely detailed art style pops off the Vita screen to make it even harder to escape the game’s punishing grasp.

Now Stranger of Sword City is a first person dungeon-crawling RPG (a subgenre that in some circles is simply shortened to DRPG), and Q2 of 2016 featured another such game – a Playstation Vita exclusive to boot. The game was not developed in Japan, but exhibits enough JRPG elements that I believe it deserves to sit in the same camp as Child of Light and South Park: The Stick of Truth, themselves Japanese Role-Playing Games in all but country of origin. The wonderful game I’m referring to is Severed.

Developed by Canadian studio Drinkbox games, Severed ‘s clever blend of strategic, fairly unique combat, fun levelling mechanics, morbidly oppressive Aztec atmosphere, eye-catching visuals and focused story make it well worth playing for the JRPG-inclined, and if you don’t have a PS Vita, the game is allegedly coming to 3DS and Wii U very soon, and has just recently launched on iOS devices. Don’t miss it.

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Movie Review: X-Men Apocalypse

Had to sit on this review for a while to give it some thought, and that ended up making it a long one.

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Starring:
James McAvoy, Jennifer Lawrence, Oscar Isaac
Director:
Bryan Singer (The Usual Suspects, X-Men)
Rating: M
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Well, it turns out that couldn’t last.

The X-Men movies continue to exist, for better or worse, as the only discernible remnant of the superhero movie scene pre-Marvel Cinematic Universe. The way they have always done things sits somewhere between DC Comics’ macabre big screen blockbusters and the MCU’s lighter escapades, boasting an embarrassment of riches in the character department to mine for both humour and drama. When the movies are good, they feel like giant middle fingers to the critics who think there are too many superhero movies kicking around these days. When they’re bad, they tend to become the easiest targets for said critics, as at their core they tend to feel extraneous and disposable.

X-Men Apocalypse isn’t a bad movie, but it is the worst X-Men film since X-Men Origins: Wolverine, and as an X-Men fan first and foremost within the superhero movie realm, that stings a little.

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Revisiting The Legend of Zelda: Twilight Princess – In High Definition & High Detail

Well this looks a bit weirdly-timed now, but I have been working on it for almost two months, so here we go. Strap yourself in.

It’s been a while, old friend.

Ten years ago, in 2006, I picked up The Legend of Zelda: Twilight Princess alongside my brand new Nintendo Wii console at the system’s launch. After years of hype and a string of exemplary prior Zelda games, I could barely contain my excitement. 80 hours of gameplay (and weeks of real-world time juggling Wii Sports) later, I had completed it very close to 100%. And what a rollercoaster it had been.

Twilight Princess promised a lot, as the Zelda series’ long-awaited return to the dark, “realistic” aesthetic made popular by Ocarina of Time following a controversial – at least at the time – stylistic sidestep with The Wind Waker. And in fairness, it delivered a lot – sensational dungeons, standout set pieces built on fan wish fulfilment, a breakout companion character and bosses on a truly grand scale, mainly.

Ooh baby.

Yet the game also came in for its fair share of criticism for its slow and inconsequential opening, largely empty world, bland colour palette, litany of rupee-related annoyances, relative lack of difficulty and slavish devotion to aping Ocarina at the expense of the freshness offered by predecessors Majora’s Mask and the aforementioned Wind Waker. Though I remember plenty of moments from Twilight Princess fondly, it came in at Number 7 on the Top 10 Zelda games list I wrote back in 2013.

And yet early last month, it received a new lease on life.

Link makes a triumphant return with a new HD sheen.

With help from little-known Australian studio Tantalus Media, Nintendo released The Legend of Zelda: Twilight Princess HD for Wii U here on March 5th. Based on the “waggle-free” Gamecube version of Twilight Princess, which I never touched, and boasting quite a few tweaks and supposed improvements, it marked the perfect opportunity for me to revisit the classic adventure with a critical eye, separated somewhat from the perhaps exaggerated criticisms the internet has whipped up over the last decade. Now that I have finally finished TP in its newest iteration, here is what I have to say about it.

Prepare yourself – this will be a long one. A very long one.

Be aware that this post contains a huge amount of spoilers – worth mentioning if you haven’t played the game before. All you need to know if you’re a Twilight Princess newcomer is that yes, I believe this HD version is definitively the best version of the classic title, and yes, you really should play it. If you really want to read on, continue at your own risk, but you should know that what follows is so exhaustive that you may not even feel like you need to play it by the end.
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Movie Review: Captain America – Civil War

Oh look, another movie pitting superheroes against one another. I wonder how this one will go…

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Starring:
Chris Evans, Robert Downey Jr, Sebastian Stan
Director:
Anthony & Joe Russo (Welcome to Collinwood, Captain America: The Winter Soldier)
Rating: M
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The only “complete” Marvel comic book story (if such a thing exists) that I have read to this day is Civil War, a seven-part 2006/07 series that was given to me as a gift a couple of years ago. A positively gigantic event, the series divided literally hundreds of Marvel characters down an explosive ideological line – one side led by Tony Stark/Iron Man, in favour of regulating superhero activity to safeguard against massive collateral damage – the other by Steve Rogers/Captain America, unable to reconcile his desire to do good with the politics he feels would impede true justice. When Kevin Feige announced that Marvel Studios would be doing an adaptation of sorts a couple of years ago, I was skeptical of the project, and I wasn’t alone. How could they possibly do justice to the expansive, universe-shattering story with so few established characters in their stable?

As it turns out, the film version of Civil War, appropriately prefixed as Captain America: Civil War, is such a loose adaptation of that comic that the argument is moot. Sure, there are nods to the structure of the original, but what the movie actually turns out to be is primarily a story about Captain America (the still-amazing Chris Evans) and the closest relationships in his life, and on that front, it succeeds spectacularly. It also has some pretty cool supporting characters, and almost all of them add to the sheer fun of the spectacle. Though Captain America: The Winter Soldier was a more focused film, returning directors Joe and Anthony Russo have now proved that they can handle much bigger casts with aplomb, resulting in a sequel that is almost as good as its predecessor, and noticeably fresher than Avengers: Age of Ultron.

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To My Fellow Wii U Owners – This Is Probably The End

This will be a busy weekend for this blog.

Found on a Facebook fan group. Nailed it.

Looking at things that interest me in a positive light is well beyond a defining feature of my personality at this point. My default stance on just about anything videogame-related is optimism, for better or worse. But sometimes there isn’t all that much room for such a stance, and you just have to be real. If you’re a Nintendo fan of any kind, this is one of those times.

The most recent Nintendo-related announcement to cause waves online – an understatement in some corners – is the triple-bladed revelation from the company’s recent investor briefing that:

  1. Nintendo’s newest console, code-named “NX”, will be released worldwide in March 2017.

  2. The Wii U’s most widely anticipated game, a still-unnamed Legend of Zelda title, will release simultaneously on NX and Wii U, and thus will not see release until at least March 2017.

  3. Not only will the NX be absent from E3 in June this year, but this new Zelda (the Wii U version) will be the only game playable on the E3 show floor.

Still so mysterious.

There’s a lot to digest from this news, but the overwhelming, frigid-breeze-in-your-face implication here is that Nintendo is now ostensibly finished with the Wii U. Yes, Zelda will still come out for the ailing console, and I’m sure the game’s E3 presence will go above and beyond to showcase the benefits of the Wii U’s unique gamepad controller to the experience. But if the NX offers the better version of the game – and there aren’t very many great arguments around to suggest it won’t – then what Nintendo fan won’t just go for the NX version? What’s more, March next year is 10 months away, and the landscape of first-party game releases (and thus just about any game releases at all) for the Wii U in the next 10 months is looking awfully dry – I’m excited for Tokyo Mirage Sessions #FE, but it’s one of only three retail-facing first party games we know about, the other two being Paper Mario: Color Splash and Mario & Sonic at the Rio Olympic Games. It’s hard to see this whole situation as anything other than an admittance that the Wii U is over, and that sucks.

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The 2016 JRPG Report: Quarter 1

Another post that became far longer than I intended.

I couldn’t write a 3000-word post on JRPGs to open the year without following it up, could I?

So far, there can be little doubt that 2016 has lived up to its promise to inundate players with Japanese role-playing games of all kinds. While quite a few gamers have looked at this February and March as unusually barren in the “Triple A” blockbuster market – correctly, I might add – JRPG fans have been struggling to get through the deluge of quality content relevant to their interests. And boy, have I been struggling. I knew what I was getting into this year, but I’ve had to cut and run on some absorbing games and flat-out ignore others in order to even scratch the surface of the ones I most wanted to play. Such is adult life.

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WHAT I’VE PLAYED

It’s no real surprise that the Japanese handheld consoles have been the most fruitful homes for JRPGs early in 2016. The 3DS kicked things off with Final Fantasy Explorers, a Monster Hunter-esque game that focuses more on grinding for parts to make stronger armour/weapons than it does traditional Final Fantasy mechanics (though they also make an appearance). It was notorious for being in very short supply at retail when it launched at the end of January, but I got my hands on it and played a dozen or so hours alongside different co-op partners. The game is fun, and the ability to incrementally level up your skills and magic within the framework of a traditional FF job system offers some welcome differences from the MH formula. But it isn’t the kind of game I would play alone, so it was only a matter of time before I moved on.

Launching in Australia very quickly after Explorers, the PS Vita/PS3 received The Legend of Heroes: Trails of Cold Steel in the early moments of February. Blending your standard turn-based battle style with light spatial awareness mechanics, the game presents a story in a Hogwarts-esque fantastical boarding academy with a cold military slant. It packs a schedule management system similar to the recent Persona games and its atmosphere is on point. I picked it up on Vita and really enjoyed the five hours or so that I played while up the coast on holiday, but life and other games have prevented me from going back.

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Movie Review: Batman v Superman – Dawn of Justice

Wow. There are an awful lot of different opinions circling around this movie at the moment.

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Starring:
Henry Cavill, Ben Affleck, Jessie Eisenberg
Director:
Zack Snyder (Man of Steel, Watchmen)
Rating: M
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Batman v Superman: Dawn of Justice is a whole lot of things, but to me, what’s most surprising about the Warner Bros/DC Comics take on “shared universe” filmmaking is that it isn’t primarily a prequel to the upcoming Justice League movies, or primarily a sequel to Man of Steel, or even primarily a new take on Batman. What it is, more than anything else, is a Zach Snyder movie. If that makes a chill run up your spine then I understand your trepidation. If that makes you intrigued, read on. Continue reading

Movie Review: Zootopia

Can’t believe this is my first movie review of the year. What a crazy three months it’s been.

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Starring:
Ginnifer Goodwin, Jason Bateman, Idris Elba
Director:s
Byron Howard (Tangled), Rich Moore, Jared Bush (Wreck-It Ralph)
Rating: PG
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Well Disney, that’s five in a row.

The so-called “third golden age” of films from Disney’s main animated studio is still going – at least for another year or so – because Zootopia is pretty fantastic. A cocktail of painstakingly realised world-building packed with culturally relevant sight gags, Zootopia sells a vision of an idealised world with an all-too-familiar undercurrent of ugliness bubbling underneath. It’s one of the sharpest allegories for real-world social issues I’ve seen in an animated movie, and while occasionally a little overzealous in its desire to ensure its message gets across, Zootopia never halts its refreshingly-paced plot or sacrifices the believability of its colourful characters to do so, making it a quality movie for all kinds of audiences. Thanks to co-directors Byron Howard, Rich Moore and Jared Bush alongside a suite of animators at the top of their game, the House of Mouse has extended its hot streak.

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2016: The Year of the Japanese RPG?

As we arrive at the end of another January, and the videogame industry begins to awaken once more from its holiday release slumber, it’s already evident that 2016 is going to be a tremendously big year for games. We are already knee-deep in a veritable feast of high profile indie goodness, with the likes of Oxenfree, Darkest Dungeon and most notably the long-awaited The Witness just available this past week, and both Unravel and Firewatch just around the corner. Beyond that is a host of widely anticipated blockbusters that look set to define the current generation of videogames. The Division. Uncharted 4. Quantum Break. Overwatch. Mirror’s Edge Catalyst. No Man’s Sky. Many, many more.

Virtual Reality will finally become an, ahem, reality this year, with multiple companies trying their hand at convincing the gaming mainstream to pay attention to their lead VR product. Nintendo has an uncertain but very exciting year ahead as they look to unveil the mysterious NX console, at long last, simultaneously branching out into the mobile gaming space. It’s all rather delectable if you ask me.

And yet, when you look ahead at what’s slated to release this year, there are the makings of one more trend – one likely to be overshadowed by most, if not all, of the above in terms of media attention. That is, of course, the sheer volume of Japanese Role Playing Games – or JRPGs – that Western gamers will be able to get their hands on throughout 2016. Fans of ridiculous narratives, stylish presentation and checkbox-completionism, rejoice!

Widely considered a dead genre as recently as half a decade ago, not only has the JRPG survived to this day, but through the occasionally cartoonish force of will of a handful of developers, 2016 looks to be the biggest year for the genre since the burgeoning days of the first PlayStation, at least in terms of Western – especially European/Australian – release dates. Delays notwithstanding (and they will happen to some of the games I’m about to talk about, mark my words), 2016 is so packed with Japanese RPG promise that I could theoretically just play JRPGs – lengthy as they tend to be – and nothing else this year yet still be fairly satiated going into 2017. That won’t happen, of course, but it’s still a staggering thought given the scraps JRPG fans have had to feed off for the majority of the last 10 years.

If you feel a top ten coming on, you know me too well… and you’re close. Here come no less than fifteen JRPGs which, at the time of writing, are primed for a 2016 release and have at least a half-decent shot at coming out this year. If anything, it’s a little sad to think of how selective I’ll need to be with which ones I play in order to get any of them finished at all:

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Final Fantasy Explorers (3DS)

It all kicks off with this little game – a JRPG from Square Enix with ambitions far beyond those of your standard Final Fantasy spin-off. It’s already available for purchase (though in limited physical quantities) and its efforts to blend the addictive loot grind of Monster Hunter with the ever-appreciated traditional FF job system is holding it in fairly good stead on Metacritic thus far. It remains to be seen how long its series references and central gameplay loop will keep me and my friends playing together, but something tells me it won’t be the fault of Final Fantasy Explorers when I stop playing it – The blame will probably sit with the next game on this list.

When’s It Out? Two days ago here in Australia, at least officially. Indeed, it has already begun…

How Keen Am I? Considering it’s already in my hands and heavy on multiplayer, very keen indeed.

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Bravely Second (3DS)

Several pundits single out 2013’s Bravely Default as the game that put an exclamation mark on Square Enix’s turnaround as a game publisher, following years of baffling decisions and wandering through the metaphorical creative wilderness. I reviewed it on this blog, back when I did those, and I adored the game’s fantastic blend of classic Square RPG mechanics with very modern ideas, not to mention its phenomenal audio-visual presentation. Bravely Second looks to give fans more of the good stuff while cutting down on previous weaknesses, and I can’t wait to dive back into the world of Luxendarc.

When’s It Out? February 27th, meaning Second follows the example of its predecessor by releasing months earlier in PAL regions than in the Americas.

How Keen Am I? I put a tick over 70 hours into the first game, and yes, I finished both endings despite that final looping stretch. So yeah, I’m excited.

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