Wow, five years of listening to K-Pop. I’m not sure how to feel really.
When I first discovered the increasingly wide genre back in 2012, talk of a “five year curse” was prevalent – the idea that K-Pop groups, especially female ones, seem unable to stay together for much longer than half a decade. And though the supposed rule has hardly been exact in its application, 2016 is sure as hell going to be remembered as a year of falling dominoes in the world of K-Pop groups. In the same year that the Brown Eyed Girls celebrated an unprecedented full decade without a member change, the likes of Miss A, Kara (for real this time), 4Minute, Rainbow and 2NE1 – all of whom were in top form when I started out – bit the dust. Other big acts lost important members (B2ST) or finally shuffled off to their mandatory military service (Bigbang), in the process well and truly solidifying the shift in Korean music generations that arguably started in 2014. The landscape is now almost unrecognisable from the days of Gangnam Style.
Of course some things never change, and history is bound to repeat. Though there are more successful soloists, more acoustic guitars, more rappers and heavier EDM beats around than ever before, K-Pop’s affiliation with cutesy girl group concepts returned in a big way in 2016 – especially among mid-tier acts – with barely a trace of the often-tacky “sexy” stylings of the last few years. And while we’re on the subject, it’s kind of a cool novelty to see each of the Big Three Korean entertainment companies bringing a properly successful female group to the table at the same time. That arguably hasn’t happened since 2012, at the tail end of the Wonder Girls/SNSD/2NE1 glory days. Now we have Twice/Red Velvet/Blackpink, and they have cute/weird/cool covered quite well respectively.
But I’m not here to write a dissertation; I’m here to count down my top 15 favourite K-Pop songs of the year, and there are a lot of different kinds of tracks to cover. So let’s do that, for the fifth time on Vagrant Rant.
No more than one song from a group/solo/collaboration can be eligible for this list, and it only takes into account songs that have a corresponding music video and feature Korean language lyrics. Every aspect of the release, visual and otherwise, is considered, but overwhelmingly the audio comes first.
. -◊-◊-◊-◊- VR BEST OF 2016 DISCLAIMER This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. Music is a very personal thing and if you actually agree with me 100%, that’s strange. Fun, but strange. Respectful disagreement is very welcome. -◊-◊-◊-◊-
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15. Last Dance – Bigbang
I hope you’ll allow me a sentimental entry to kick things off.
Bigbang may be a YG Entertainment act, and true to their label they tease fans regularly with releases that don’t actually release for months or years after they are first mentioned. But they’ve been around in some way or another, without any real hint of breaking up, for ten years, and the gigantic quintet has given us a lot of fine memories. So on the eve of their mandated military service they released, alongside two other pretty decent songs, this heartstring-puller, and its emotional impact feels earned. Last Dance gives Bigbang a contemplative track that feels rather, shall we say, final, particularly alongside its brooding MV. There ain’t nothing wrong with it musically, though, providing plenty of Bigbang staples like growling Daesang/smooth Taeyang vocals, a bassy T.O.P rap and a soaring chorus that ends with a definitive full stop. Good luck to ’em. .
As we arrive at the end of another January, and the videogame industry begins to awaken once more from its holiday release slumber, it’s already evident that 2016 is going to be a tremendously big year for games. We are already knee-deep in a veritable feast of high profile indie goodness, with the likes of Oxenfree, Darkest Dungeon and most notably the long-awaited The Witness just available this past week, and both Unravel and Firewatch just around the corner. Beyond that is a host of widely anticipated blockbusters that look set to define the current generation of videogames. The Division.Uncharted 4. Quantum Break. Overwatch. Mirror’s Edge Catalyst. No Man’s Sky. Many, many more.
Virtual Reality will finally become an, ahem, reality this year, with multiple companies trying their hand at convincing the gaming mainstream to pay attention to their lead VR product. Nintendo has an uncertain but very exciting year ahead as they look to unveil the mysterious NX console, at long last, simultaneously branching out into the mobile gaming space. It’s all rather delectable if you ask me.
And yet, when you look ahead at what’s slated to release this year, there are the makings of one more trend – one likely to be overshadowed by most, if not all, of the above in terms of media attention. That is, of course, the sheer volume of Japanese Role Playing Games – or JRPGs – that Western gamers will be able to get their hands on throughout 2016. Fans of ridiculous narratives, stylish presentation and checkbox-completionism, rejoice!
Widely considered a dead genre as recently as half a decade ago, not only has the JRPG survived to this day, but through the occasionally cartoonish force of will of a handful of developers, 2016 looks to be the biggest year for the genre since the burgeoning days of the first PlayStation, at least in terms of Western – especially European/Australian – release dates. Delays notwithstanding (and they will happen to some of the games I’m about to talk about, mark my words), 2016 is so packed with Japanese RPG promise that I could theoretically just play JRPGs – lengthy as they tend to be – and nothing else this year yet still be fairly satiated going into 2017. That won’t happen, of course, but it’s still a staggering thought given the scraps JRPG fans have had to feed off for the majority of the last 10 years.
If you feel a top ten coming on, you know me too well… and you’re close. Here come no less than fifteen JRPGs which, at the time of writing, are primed for a 2016 release and have at least a half-decent shot at coming out this year. If anything, it’s a little sad to think of how selective I’ll need to be with which ones I play in order to get any of them finished at all:
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Final Fantasy Explorers (3DS)
It all kicks off with this little game – a JRPG from Square Enix with ambitions far beyond those of your standard Final Fantasy spin-off. It’s already available for purchase (though in limited physical quantities) and its efforts to blend the addictive loot grind of Monster Hunter with the ever-appreciated traditional FF job system is holding it in fairly good stead on Metacritic thus far. It remains to be seen how long its series references and central gameplay loop will keep me and my friends playing together, but something tells me it won’t be the fault of Final Fantasy Explorers when I stop playing it – The blame will probably sit with the next game on this list.
When’s It Out? Two days ago here in Australia, at least officially. Indeed, it has already begun…
How Keen Am I? Considering it’s already in my hands and heavy on multiplayer, very keen indeed.
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Bravely Second (3DS)
Several pundits single out 2013’s Bravely Default as the game that put an exclamation mark on Square Enix’s turnaround as a game publisher, following years of baffling decisions and wandering through the metaphorical creative wilderness. I reviewed it on this blog, back when I did those, and I adored the game’s fantastic blend of classic Square RPG mechanics with very modern ideas, not to mention its phenomenal audio-visual presentation. Bravely Second looks to give fans more of the good stuff while cutting down on previous weaknesses, and I can’t wait to dive back into the world of Luxendarc.
When’s It Out? February 27th, meaning Second follows the example of its predecessor by releasing months earlier in PAL regions than in the Americas.
How Keen Am I? I put a tick over 70 hours into the first game, and yes, I finished both endings despite that final looping stretch. So yeah, I’m excited.
So another year of countdowns comes to an end, and inside the calendar year this time!
2015 was the first year this decade where movie-watching dropped low enough on my list of my priorities to ensure I didn’t once go out to the cinemas without knowing exactly what I wanted to see. As a result I saw fewer new releases than any other year in which I’ve written this list. It was pretty much just major blockbusters and films with word-of-mouth hype amongst my friends.
That still put me in pretty good stead, however. Looking back at what I missed in 2015 I can’t really complain too much, as I only really missed The Martian and maybe, at a stretch, Crimson Peak in terms of movies people really seemed to be talking about. And regardless of how much thinner the blockbuster offering of 2015 was compared to previous years, what does it matter when Star Wars was so good?
Let’s count down some movies.
time that . -◊-◊-◊-◊- VR BEST OF 2015 DISCLAIMER This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s weird. Cool, but definitely weird. Respectful disagreement is most welcome. -◊-◊-◊-◊-
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10. Pitch Perfect 2
So Pitch Perfect was a thing. A fairly notable thing, as it turns out. Three years ago Hollywood darling Anna Kendrick sat down, put a cup on the ground and lit the internet on fire, drawing crowds to the movies to see a comedy musical for the first time in several years. The oddball movie about competitive college acapella singing was a fine example of what can happen when you electrocute a painfully cliched sports movie plot with a current of pure enthusiasm, witty, politically incorrect dialogue, spectacular all-vocal song arrangements and Rebel Wilson. Much like 2000’s Bring It On, Pitch Perfect challenged my own ability to judge a movie by its marketing. Unlike Bring It On, Pitch Perfect’s sequel doesn’t suck. In fact it may be even better, as it drops a lot of the necessary shackles by which it was bound as a new franchise and sets up some even more ridiculous – and hilarious – sequences, scattering cameos left and right as it does so. .
There was just no way that this year, with the incredible quality – and indeed quantity – of videogame releases throughout 2015, I could possibly restrict this annual list of mine to a mere top ten. So I cut one of my earlier lists down to a top five – particular as I am about these sorts of things – and expanded this baby.
Not only is this the 2015 list that took me the longest to write, it’s also the one that took me the longest to order. I’ve gone through dozens of rearrangements of this one – especially in the top four – and though I’m happy with how it reflects the past year, what is on this page to some extent only indicates how I feel about things right now – ask me again in a week and it may have shuffled around.
The platform on which I played each game on this list appears in parentheses. A game only qualifies for my list if I either a) finished its “main story”, or b) played at least five hours of it – whichever came first. I restrict myself this way to ensure I’ve given a game a fair go, though the rule does disqualify a number of games in which I dabbled, such as Kirby & The Rainbow Paintbrush, Rise of the Tomb Raider, Code Name S.T.E.A.M, Just Cause 3 and Mario & Luigi: Paper Jam, all of which probably would have made the list had they not come out at really awkward times for me personally. Additionally, remasters and remakes don’t count this year, because, well, you’ll have to see.
Without further ado, let’s reminisce about the embarrassment of riches to which gamers were treated this year:
. -◊-◊-◊-◊- VR BEST OF 2015 DISCLAIMER This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s weird. Cool, but definitely weird. Respectful disagreement is most welcome. -◊-◊-◊-◊-
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15. Batman: Arkham Knight (PS4)
The fact that I finished the main story of Batman: Arkham Knight is the greatest compliment I can pay the game. The weekend that I lost to the caped crusader initially involved other plans, and those plans promptly dissolved once I began to lose myself in Rocksteady’s incredibly good-looking open world vision of Gotham City, not to mention its intensely personal story of a mentally deteriorating Bruce Wayne. I even liked the Bat-tank stuff – for a few hours at least. After a while the game’s over-reliance on the tank sections did wear me down enough to keep Arkham Knight out of my top ten, but I couldn’t leave it off the list altogether, because despite its flaws the final chapter of Rocksteady’s Arkham trilogy is a quality package.
It’s really difficult for me to keep up with K-Pop these days. The scene moves through songs, groups, soloists and promotion cycles as fast as ever, and as I keep harping on about this week, I have far less free time these days to take any of it in. I thought I might need to drop the music out of my life in order to keep doing the other things I enjoy throughout 2015, but luckily I didn’t have to, thanks to a little podcast called This Week in K-Pop (plug time), a twice-monthly audio show put together by two Americans living in Korea that showcases and critiques new K-Pop releases of both mainstream and a slightly lesser-known nature.
Combined with a meaty morning and evening commute, this meant I was able to keep building my usual K-Pop single countdown list throughout the year, and even do so from a wider pool than ever before. As a result I actually had a full top 15 ready to go way back in early August. From then on, it was a bit of a headache to decide what new additions would leave and what would stay, leaving me with possibly my most carefully constructed list since I started doing this three years ago.
By and large, it was the beats that defined 2015’s Korean pop music output. After a constantly tumultuous, frequently uninspired, often dull and occasionally tragic 2014 for the Korean popular music industry, 2015 proved that the wildly successful, still-young subsection of world music was more than capable of reinventing itself and delivering surprises. K-Pop’s so-called “identity” is now more difficult to categorise in Western terms than ever, as it continues to stretch its tendrils into heavier contemporary EDM backing tracks, quirky samples and widely spreading subgenres while refusing to back away from the ’90s-inspired idol group structures, creative knife-point choreography and insanely high production values that have defined it from the very beginning.
Short version: K-Pop was back in a big way in 2015.
As always, no album B-sides or non-Korean language songs from K-Pop artists are eligible for this list – generally only songs with MVs (music videos) appear, even though that meant I had to scratch some really good Infinity Challenge/Unpretty Rapstar songs this year. As always I have taken said MVs into consideration when ordering the list, but ultimately the song itself is the biggest contributing factor, and I tried to keep that in mind at all times. Also, this year I just went ahead and made my previous “unwritten rule” an official one – no more than one song from an artist or group can make it on. Now I’ve waffled on long enough, so let’s watch some K-Pop videos.
time that . -◊-◊-◊-◊- VR BEST OF 2015 DISCLAIMER This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s weird. Cool, but definitely weird. Respectful disagreement is most welcome. -◊-◊-◊-◊-
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15. Wiggle Wiggle – Hellovenus
We might as well kick things off with the earliest song of the year to appear on this list – It dropped on January 8th 2015, hot on the heels of a viral video featuring the girls of Hellovenus practicing a dance cover of Jason Derulo’s Wiggle. And despite how opportunistic and cynical the move was, it resulted in an incredibly catchy song with a thumping club beat that would set the stage for similar bass-dominated hits in the year to come.
And yeah, this isn’t the “real” music video, because the actual one is easily of the tackiest, cheapest quality, most poorly edited MVs I have ever seen (it’s here if you really want to watch it). .
Turns out I couldn’t do my normal Oscars thing this year because of work commitments, which saddens me. Nevertheless, as pathetic as it might sound, I’ve been waiting for this very day for years now, just so I could put this article up.
The original model – A thing of stunning beauty that made you want to throw up a little with just one look.
It is truly astonishing that a decade has already passed since the release of the Nintendo DS in Australia. On this very day in 2005, almost three months after its American release, the Big N bestowed a truly ugly yet quietly revolutionary portable gaming device on the PAL region for the first time, with a European release to follow a few weeks later. This hefty silver beast came packing not one but two screens, one of them touch-enabled, along with an unassuming microphone for voice input, more buttons than Nintendo had ever put on a handheld before, a built-in instant messenger app and full backwards combatibility with Game Boy Advance games. It was a thoroughly weird hunk of plastic and metal (this was still years before the iPhone, after all) that initially appealed to little more than Nintendo’s faithful.
I was one of said faithful, and my sister and I were there on launch day to pick up our first run versions of the DS, complete with that bundled-in demo cartridge of Metroid Prime: Hunters tantalisingly known as “First Hunt”. Between such a tasty graphical showcase and the joy of Super Mario 64 DS, Nintendo’s fresh console represented a huge step forward in graphical muscle over the GBA, and my teenage eyes lit up at the prospect of what experiences could possibly be on the way for the bizarre clamshell. Many of my friends were bewildered at the very sight of the monstrosity and my attempts to explain its appeal initially sucked, but I didn’t particularly mind if the system wasn’t popular, visually pleasing or particularly comfortable to play for long stretches – I knew it would bring great games to the table.
Well, I was right about that last part at least.
After all, just shy of 18 months later the DS Lite was released. Bringing with it brighter screens, a much smaller form factor, swathes of games with a wider range of appeal than ever before and some deviously clever marketing, the infinitely better version of the DS grew steadily in popularity until it exploded into the mainstream alongside the Wii in the latter half of the decade. The rest is history – the DS became Nintendo’s highest selling console of all time and the success of simple touch screen games paved the way for a smartphone gaming revolution. And unlike with the Wii, the release of so-called “casual” games on the DS did not affect the ongoing creativity and quality of meatier games on the system. All throughout the console’s life cycle, from the original model to the Lite to the camera-enabled DSi to the supersized DSi XL, great games just kept coming out. Some of my favourite videogames ever made their home on the DS, and so without any further rambling, here are my personal favourites. No less than 20 of them, in fact.
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20. Trauma Center: Under the Knife
I’m going to start with the entry on this list that I’ve most recently discovered. As good an argument as any for the extraordinary staying power of the DS’ unique library, I started playing this gem only a few months ago after picking it up for dirt cheap on a whim. And it’s awesome. Though typically weird for an Atlus game and just as typically difficult, the first in what is apparently a series of Trauma Center games is engaging and rewarding in a way I’ve not seen in any other videogame. The relatively unique stress of performing surgical tasks while your patient’s vital signs rapidly tick away, all against the backdrop of an insane science fiction story, feels fresh even in today’s wonderful climate of creative indie experiences. .
19. Metroid Prime Hunters
Though I have much stronger nostalgic feelings for the aforementioned demo of the game, the full version of Metroid Prime: Hunters was certainly nothing to sneeze at. Arriving over a year after said demo, Hunters built on the experimental foundations of the Gamecube’s Metroid Prime 2: Echoes to deliver a gorgeous competitive multiplayer-centric title where the campaign was just the thing you played when you had no buddies around. With a diverse selection of alien bounty hunters from which to choose, each packing a different transformation for mobility and stealth, Metroid Prime Hunters was crammed with ideas way ahead of its time, and honestly represented a concept too ambitious for the limits of the DS hardware. I’d really like to see a sequel on a console with more than one directional input. People who claim the controls of the 3DS’ Kid Icarus Uprising stopped them from playing probably never owned Hunters. .
18. WarioWare Touched!
A quirky launch title for the DS, WarioWare Touched! was my entry point into a Nintendo franchise I now regard as one of my top five of all time. I was positively floored by how much fun could be garnered from a stack of basic-looking microgames lasting mere seconds with only the vaguest of instructions to point the player in the right direction. Touched! was one of the absolute best indications early in the DS’ life of the insane potential of touch screen gaming (it even did Fruit Ninja before Fruit Ninja) and its incredibly bizarre personality shone through every manic twist and turn. There are better WarioWare games out there, but this one is really special to me.
So I normally take a break from blogging around this time of year, and I probably still will, but it doesn’t look like Nintendo of Australia is taking time off at all, kicking into their 2015 right away. So I feel like I have to throw out this post right now.
2015 is going to be a pretty special year for videogames, with an impossibly exciting lineup of titles on all platforms slated for release throughout the whole year. And for the first time in a long while, it looks like Nintendo will be mixing it with the best of them consistently throughout the year on both of their primary game consoles. It has been a really long time since we’ve reached the start of a new year with such a clear picture of what that year will look like for Nintendo, and for the Wii U in particular, this one looks absolutely packed with the good stuff. And so it gives me great pleasure to present no less than twenty reasons why being a Nintendo fan is going to rock in 2015:
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1- Captain Toad Treasure Tracker (Wii U)
With Captain Toad‘s January 3rd release, Nintendo is getting out ahead of every other major game publisher in 2015, and it’s honestly a very strong opener to the year. I’ve only played a small percentage of the budget-priced retail game so far (which, admittedly, came out about a month ago in the US), but it’s absolutely adorable and can get deviously challenging when trying to find all the hidden diamonds and constantly-changing optional objectives in its bite-sized “puzzle box” levels. The game is impeccably well designed and a real joy to play.
When will it come out? It already is! Go enjoy this amazing game right now, you lucky things. .
2- Splatoon (Wii U)
I played a few rounds of Nintendo’s first-ever entry into the realm of competitive shooters at the EB Games Expo last year, and I immediately wanted to play more. The choice to emphasise territory gain rather than kills, and then to turn that territory into an actual physical advantage in a firefight (paintfight?) by having it improve your range and speed of movement makes for a deceptively deep competitive experience that is simple to understand but tricky to master. The gameplay flow of Splatoon is hella fresh, and I’m excited to see what its single player component holds to complement it.
When will it come out? It’s slated for the first half of the year in all Western territories, and from what Nintendo has shown it looks mostly done, so my guess is March if not even earlier. .
3- Monster Hunter 4 Ultimate (3DS)
When I was in Japan in late 2013, the super-popular Monster Hunter 4 had just launched, and it just seemed like everyone was playing it – businessmen, old ladies, children, couples, you name it. I’ve experienced firsthand the highly addictive qualities of its 3DS predecessor Monster Hunter 3 Ultimate and have amassed quite a few friends who are ready to dive in to a new monster-slaying, armour-tweaking sinkhole when 4 finally comes west, fairly soon no doubt, in upgraded “Ultimate” form. Brace yourselves.
When will it come out? Something about this one screams “first quarter of the year” to me, but that might just be because the last Monster Hunter game released in March over here.
Trust something like K-Pop to make me nostalgic for 2012, of all things.
The ancillary troubles that dogged the Korean pop music industry throughout 2014 are well documented in K-Pop circles, and while I have no interest in writing a full-on postmortem, there’s little doubt these troubles had at least some effect on the amount of quality stuff released throughout the year. As once-big acts found themselves on the way out and the mid-tier labels attempting to profit from this got caught in a game of follow-the-leader, the resulting stretches of ho-hum releases stretched on for quite a while.
But this is K-Pop, and you can always guarantee such a high volume of output from all the gazillion labels these days that some of it is bound to be worth listening to. 2014 was no exception, producing some good quality singles worth celebrating, or in this case, counting down!
No album B-sides or non-Korean language songs from K-Pop artists are eligible for this particular list – generally only songs with MVs (music videos) appear. The visual nature of K-Pop means I have taken said MVs into consideration when ordering the list, but ultimately I made this list via an IPod audio playlist, so the song itself is the biggest contributing factor.
time that . -◊-◊-◊-◊- VR BEST OF 2014 DISCLAIMER This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s spooky. Respectful disagreement is most welcome. -◊-◊-◊-◊-
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15. Jackpot – Block B
K-Pop is a lesser entity overall without the crazy creative energy of Block B, so it’s a very good thing indeed that they are still around after all the label dramas of last year. Block B’s new home, Seven Seasons Entertainment, seems even more willing to let Zico and the boys loose on whatever concept tickles their fancy than Stardom was, and as a result we get things like Jackpot. Somehow both high-energy and creepy at the same time, the song leverages a carnival atmosphere to thrilling effect. Yes, the change-up for the chorus is jarring, but I have no doubt that was part of the plan, and that post-chorus is just so infectious. Block B is alive, manic and well. .
So I wasn’t planning on writing anything special for Halloween, but it’s really freaking hot in Sydney at the moment and the coolest part of my house happens to be right in front of this computer screen, so let’s do something spooky.
If you’ve ever had a videogame-related discussion with me, or even read some of this blog, you might pick up on the fact that I don’t mix well with deliberately scary games. Horror films are one thing – I can deal with those to some extent, though I don’t actively seek them out – but interactive horror experiences are quite another. I just don’t understand the idea of wanting to be scared by something. This may mean I’ve missed out on some of the most talked-about videogame titles of the last few years, such as Slender, Outlast, the Amnesia games, P.T. and more recently The Evil Within, but hey, there are other things to play.
That doesn’t mean I haven’t ever been scared by a videogame before, of course. There are quite a few games out there that, while not deliberately branded as horror, smuggle in some deviously spooky moments. These are arguably even more affecting because you don’t expect them. Some are jump scares, and some are just thoroughly unnerving. Here are no less than twenty of the most memorable ones in my personal gaming history, in no particular order. Of course, some of these are based on the fact that I was a child when I first played them, which made me more vulnerable to such moments, but that doesn’t change the fact that they are forever imprinted on my mind. .
Get Out! – Donkey Kong 64
If you’ve played DK 64 before, you’re probably already hearing that ominously deep, aggressive voice in your head right now. In the game’s second level, raiding a pyramid tomb for a golden banana or two brought up a sudden and inexplicable sniper crosshair, accompanied by a loud shout and some crapped pants. A bit of a cheap shot by developer Rare, but an effective one. .
The Basement – The Last of Us
The Last of Us is not a horror game, despite what some people might say – it’s more of a dramatic interpersonal drama. But jeeeeez, don’t ever make me play that basement sequence with the power generator again. It just ain’t happening. Combining low light with any amount of water is already a pretty heavy nope situation for me, so throwing in a rush of bile-spewing fungus zombies that spawn at exactly the wrong time is just… aagghh. .
Baby Boss – Luigi’s Mansion
His name is Chauncey, apparently, and he’s one of the ghostly bosses in Luigi’s debut solo adventure on the Nintendo Gamecube. He’s also a one-year old baby whose blood-curdling scream just should not be in a Nintendo game aimed at “all ages”. Fighting him in his room, complete with cot and creepily spinning mobile, is the most genuinely scary moment of an otherwise pretty lighthearted adventure. Continue reading →
I haven’t posted a podcast link in a while, so here’s a double dose. The first two episodes of the Mega Ultra Blast Cast for 2014 plow through a ton of gaming and movie news, stopping along the way to offer some alternating opinions on the PS4 from a couple of new owners known to their friends as Shane and Delaney. Episode 16 goes closer than ever to the magic hour-long mark, finishing agonisingly short, and features a slightly more professional new intro mixed by Dazidia, Soundcloud artist extraordinaire. Enjoy!
If you feel so inclined, go for a run, take a scenic drive or just curl up on the couch and play some games while you listen to the opinions of three Sydneysiders feeling the love.
You can play the whole episodes right off this page if that does it for you:
Vagrant Rant 