That’s right, after a few years of an unchanged formula I am finally mixing things up a bit. The gaming trends list was fun but when I was looking at the viablity of doing it again the patterns of 2018 just looked (depressingly) like more of the same. So I am taking a page out of all kinds of other publications’ books and doing five different lists so truncated they only have one entry on them. Some of these awards are almost specifically tailored to one entry, while others I could probably have made into at least a top five but I only have so much writing time at this point in the year so that would be less than ideal. Let’s give this a try.
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VR BEST OF 2018 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s odd, but let’s have a beer. Respectful disagreement is most welcome.
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Best Game Publisher
Sony
This one is a games media favourite and one I’ve always wanted to cover on this blog. While major third party game publishers would usually have a good shot at taking this kind of award (which might usually cover both published games and general media presence), Sony’s own range of PS4 exclusives from their own stable were just too good to ignore this year. They probably would have won this on the strength of God of War and Spider-Man alone, but the admittedly polarising Detroit: Become Human was also a tremendous achievement in its own right. Sony didn’t have the best E3 this year by their standards, but they still grabbed plenty of headlines with their debut gameplay showcase of The Last of Us Part II and Ghost of Tsushima while continuing to prove an old truth – if you want a pile of fantastic single-player games, pick up a PlayStation console late in its life cycle.
I have a love-hate relationship with this list. I try and keep it reigned in but really this always ends up as a procession of the things that grind my gears about the entertainment media I consume. There’s no pattern or point to it, but clearly it doesn’t need one because it’s always one of my most read lists. Another thing I also try to do is make this list representative of all three kinds of media I cover here, but I always struggle to come up with genuine worthwhile disappointments in movies and K-Pop – the former because it’s just super easy to avoid movies I hear aren’t worth watching and the latter because it just always feels a bit forced. So this year my Top 10 Disappointments List is finally what its been threatening to be for years – 100% about gaming. Except for the honorable mentions. Um, enjoy?
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VR BEST OF 2018 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s odd, but let’s have a beer. Respectful disagreement is most welcome.
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10. RDR HDR?
It’s probably best to get this out of the way as soon as possible: This is the only time that Red Dead Redemption 2 is going to show up on this blog over the next two weeks. To be clear, a large part of that is because I don’t get along with the Wild West setting, I’ve never understood Rockstar’s open-world control scheme and despite some beautiful environments and compelling storytelling, I find most of the game’s mechanics unnecessarily obtrusive. I gave it a go anyway because the hype around the game was understandably at fever-pitch and I heard the Xbox One X version would run at a native 4K resolution.
Boy oh boy, does RDR2 look incredible on the X – but from the beginning something was off. The High Dynamic Range calibration in the menus had a maximum luminance of roughly half most modern games and its recommended setting for a display like mine was only a fifth of that maximum (I have one of the brightest sets on the market). I tried five different settings on that slider but I only ever got two impressions – Either the HDR highlights were missing in action or blindingly white. This was particularly noticeable in the game’s prologue, when the snowy surroundings appeared to be literally made of light across entire surfaces. It wasn’t until a Digital Foundry video a few days after launch that my suspicions were confirmed: Despite its beautiful art direction, animation and resolution, the HDR in RDR2 is fake. As it turned out, that utterly baffling tidbit (alongside the fact that my brother ended up finishing the game anyway) was the last straw and I didn’t pick Red Dead Redemption 2 up again.
That’s right ladies and gentlemen, it’s time to dust off your wistfulness, drag out those opinions and pretend like this last year wasn’t the fastest you can remember, because we’re counting down all sorts of bits of entertainment media!
And by all sorts I mean three very specific sorts. Even though I spent a lot of the first half of the year binging TV shows (mainly Brooklyn Nine-Nine, Black Mirror, The Good Place and Jane the Virgin) back-to-back for the first time in my life, that shift was hardly big enough for me to change anything here. It’s movies, videogames and K-Pop all the way to December 31st. The lists are mostly the same structurally as last year, except for one major change that might help balance the media representation a bit – Goodbye gaming trends, hello special awards!
Whether you’re with me for one list, all ten, or just this intro, thanks for your time. We get started tomorrow as usual with my Top 10 Disappointments of 2018! Yay for positivity.
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VR BEST OF 2018 DISCLAIMER
This list represents my opinion only. I am not asserting any kind of superiority or self-importance by presenting it as I have. My opinion is not fact. If you actually agree with me 100%, that’s odd, but let’s have a beer. Respectful disagreement is most welcome.
2018 felt a little different to me in terms of the way I used my free time on videogames. For whatever reason – be it a less intense schedule of new releases that interested me, weariness of the same old drop-everything-to-play-the-new-thing habits, finally acquiring a decent gaming PC, or a combination of all three – I was somehow more OK with the idea of putting time into older games this year. So I feel like it wouldn’t be a full representation of my 2018 in videogames if I didn’t jot down some quick thoughts on them. I also figured I’d include remasters or re-releases on this page too, just to take some heat off the main list.
I’ve listed the games roughly in the order I played them this year. I’ve also listed either the most prominent initial release version of each game or, where relevant, the version I owned or played back in the day instead. Then on the line underneath I’ve noted the version I played in 2018. Stop looking at me like that, I have to catalogue these things properly.
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Pokemon Crystal Version
GBC Release: 2001 3DS Virtual Console Release: 2018 How much I played: Start to finish including Kanto, 25+ hrs
I was super-vulnerable to this release when it hit the 3DS eShop in late Jan. There wasn’t much else to play and I was about to head off on a coastal family holiday. The rest I wrote down in its own separate post which you can read here.
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Final Fantasy XIII
PS3 Release: 2010 Steam Release: 2014 How much I played: The first ten chapters and some messing around in Chapter 11 makes 30+ hrs
Not gonna even try to hide it – seeing this game run in forced 4K on some YouTube video last year was a huge percentage of the reason the dominoes fell and I finally invested in a gaming laptop. After a discussion with a friend about whether FF XIII really did look better than XV in parts or whether that was just our memory of it, I had to jump back in after a decade and it turns out that, despite a truly, ridiculously awful port job, the game’s astonishing art direction sings in higher resolutions. I did play more than half of the game again, hoping to dive into a proper thousands-of-words retrospective, but the gaming calendar moves fast. Near the end of the year Microsoft gave the XIII trilogy a huge Xbox One X-supported backwards compatibility push, so who knows, maybe Square has more plans for a re-release or something. Either way, I will write that post one day. I will.
Ten more movie impressions for you now! This batch is much less blockbuster-y than the last one – there are some spicy ones in here and I’m feeling pretty good about some of them making my year-end list (which is less than two months away – yikes). Enjoy skimming.
So I recently beat the final boss of Octopath Traveller, pretty much bang-on two months after launch and with a 90 hour save file to show for it. The game’s alright, I guess.
Lukewarm jokes aside, my deep appreciation for this itch-scratching JRPG gem lies mainly with the things for which it has been widely praised – Its astonishingly unique visuals, its wonderfully dynamic soundtrack, its deeply strategic combat. If people at large seem to have a bone to pick with Octopath, that bone is firmly lodged in the story department.
The game’s atypical approach to story structure – eight individual stories that stay separated from the wider party narrative outside of a handful of short optional skits – may irritate those who weren’t prepared to find such an approach in an RPG that appears so traditional at first glance. But as someone who has played a hell of a lot of JRPGs, I for one welcome the refreshing ability to tell some of the most focused, character-driven tales you can find in any title of Octopath‘s ilk. Bound by a less plentiful budget than is usually afforded to more known Square Enix RPGs, the game’s writers had to employ a simple combination of rudimentary animations, on-point musical cues and tactfully distributed voice acting to sell eight different four-chapter stories despite repeating a very similar contracted three-act structure 32 times.
Sometimes this works better than others, and though factors like the order in which you see them (the game is very open) and your own personal tastes and background will determine which of Octopath‘s story chapters stand out most for you, these are the eight that I enjoyed the most. Spoilers obviously abound, so read on only if you’ve finished the game or don’t plan on playing it any further / at all.
. 8. Cyrus Chapter 2
Ah, Cyrus. As one of the later characters I met on my journey, I initially found his idealistic head-in-the-clouds indifference to the feelings of those around him to be a grating character trait, but by the time his introductory chapter is over that same trait has been turned into a joke at his expense and he is suddenly an endearing, not to mention mechanically essential, part of the octo-squad. His second chapter beats his first one onto this list, however, thanks to the way it uses this endearment to maximise the impact of a shockingly macabre turn. In the mining town of Quarrycrest, you get to see the full range of Cyrus’ strictly-academia reactions to everything from light jabs at his obliviousness to demonic blood rituals. If you haven’t done any third chapters by the time you see this one, the ghastly introduction of supernatural body horror into the world’s lore makes for some decently-paced foreshadowing.
. 7. Tressa Chapter 2
The other major chapter taking place in Quarrycrest takes on a rather different tone. It sees the wholesome, naive aspiring merchant Tressa attempt to make her fortune by selling shiny gems in a town ultimately under the control of a despot of sorts who believes that very fortune belongs to him by right. It builds to the confrontation with said megalomaniac by first introducing one of Octopath‘s best supporting characters, Ali. A cocky young merchant with an existing bag of tricks and sales techniques, Ali serves initially as a cheeky antagonist and eventually as an ally against the larger evil at hand, in both cases encouraging tremendous growth from Tressa. Though more of his character is developed in later chapters, in Quarrycrest his relentless-yet-principled attitude to the art of selling solidifies him as an indispensable addition to the game’s considerable secondary cast.
E3 week is over for another year! The conferences have come and gone, the show floor has closed, the Youtubers and game journos have pieced together their wrap-ups and are now piecing together their minds with some well-earned rest. So it’s time once again for me to pick out the trends of the show and throw forward my own general thoughts on the delirious highs and confusing lows of the 2018 Electronic Entertainment Expo.
. Samurai Spirit Abounds
Every year at E3 there’s always a videogame feature or aesthetic concept that seems to rear its head suspiciously frequently. Examples from past years that come to mind include the neck-snapping animations of 2013, the dog companion focus of 2015 and of course the piracy outbreak of last year. This year pundits were ready for the deluge of “battle royale” mode additions to both existing major franchises and new projects, but aside from the very first game of E3, Battlefield V, that would-be trend was nowhere to be found. Instead, the feudal Japanese period stepped up into the thematic void with considerable style. Sekiro: Shadows Die Twice, the much-discussed next game from Dark Souls developer From Software, led the charge and evoked imagery from last year’s runaway success Nioh. It was fitting, then, that Nioh 2 also brought the samurai goodness later on in the week. However the decidedly AAA polish of Sucker Punch’s Ghost of Tsushima probably took the greatest share of the conceptual spotlight, presenting an absolutely jaw-dropping interpretation of a painterly Japanese countryside soaked in blood and fire.
. Live Music, Live Music Everywhere
What do you do when some of your colleagues and competitors are putting forth pristine, pre-curated, glitch-free video presentations? You leverage the unique strengths of the live platform and you leverage them hard. Bethesda, Ubisoft and especially Sony really went in on the idea of live music performances during their 2018 shows. The former even performed an entire song at the top of proceedings courtesy of Andrew W.K. and a live band. Ubisoft’s almost-annual Just Dance series medley was moved to the top of the French giant’s own spectacle, which was odd but arguably a smart move given how previous instances have affected pacing. Sony packed two separate instrumental performances with tonal ties to two of the company’s biggest games, while the entirety of its Dreams footage consisted of adorable/unsettling animated creatures blaring their own musical creations. Your mileage may vary on the value of these interludes but if you ask me they added just the right amount of E3 zaniness. Continue reading
Hey hey, it’s that time of year again! I’ve just hit ten new-release movies seen this year and so it’s time to smash out some ultra-quick, ultra-digestible, ultra-colourful reviews and get on with the next ten. It’s been an extraordinarily dense six month period for big-name films so you won’t see any real surprises here. These ten are pretty much all blockbusters.
Yep, spinning up the old template for my first movie review in almost two years (My last one was Suicide Squad – ew). I got sick of people asking. -◊-◊-◊-◊- Starring: Just a lot of people Director:Anthony & Joe Russo (Captain America: The Winter Soldier, Captain America: Civil War) Rating:M -◊-◊-◊-◊-
Hi. Yes, I’m reviewing this Big Deal of a movie thanks to the requests of some lovely people who read my older stuff back in the day and I’m really quite flattered but it’s been a long time since I’ve put a score on something and the functional purpose of this blog has changed and I’ve changed and to be honest I feel like I can’t really put enough of my own spin on a review format like this enough to justify using my limited free time to do in-depth film reviews that will become out-of-date extremely quickly anymore but alas, I ignored enough people by not reviewing Star Wars: The Last Jedilast year and well, here we are.
Now why open a review like that? After all, if you’re reading this in the far-flung future you probably don’t care about my state of mind regarding reviews circa early May 2018. No sir. However, it seems quite apt to talk about the futility of following the structure of a scored review (which I’m doing anyway) when talking about this movie in particular, because Joe and Anthony Russo‘s Avengers: Infinity Waris not concerned in the slightest with sticking to a recognisable blockbuster narrative structure. Also, no matter the score, it’s clear people will go see it anyway (Hello biggest worldwide opening weekend ever).
(FUTURE NOTE: Some time between the Xbox Series X’s 2020 launch and Twitter’s 2023 “X” rebrand, roughly half the screenshots I initially took for this article stopped showing correctly on this page. And so, shortly after the July 2026 arrival of Conkey: Live & Reloaded on PC, I played through the entire game again in order to replace the screenshots with more reliable files. Every effort was made to match them to the location and tone of the originals, but my memory and reference points aren’t perfect.)
That’s a mouthful.
I come to you on this day, in this year where I seem unable to play anything but old games, with another old game. This time, in an attempt to force some words onto the keyboard, I do so in the form of a self-imposed challenge.
The day? April 23rd. I’ve given myself 24 hours, knowing that I have another day off afterwards to sleep in if this gets out of hand.
The idea? To play the Nintendo 64’s Conker’s Bad Fur Day – one of my all-time favourite videogames – in a format I have never experienced before and under a time limit in keeping with the game’s theme.
The inspiration? The release of original Xbox remake Conker: Live & Reloaded on the Xbox One family of systems in mid-April this year, meaning I finally get to play it after fifteen years of unresolved jealousy at original Xbox owners and the odd serving of sour grapes.
The goal? To see how it holds up, naturally, but also to try my hand at a stream-of-consciousness style of writing.
Let’s do this.
Pre-Challenge The download size of the game was a little heftier than I was expecting at roughly 5GB, but I really have no point of reference for original Xbox stuff. Those fancy character fur shaders must have been mighty space-heavy back in 2005. There is the matter of all the recently-released backwards compatible Xbox games running at 16x their original pixel count on Xbox One X, but to my knowledge there wasn’t a lot of texture replacing going on, so the file size wouldn’t have been inflated all that much. Anyway, I had to wait more than I had initially budgeted time for. Alas.
Pre-Challenge The main selling point of the Bad Fur Day remake when it first launched, apart from the graphical improvements, was the entirely fresh Xbox Live-supported multiplayer. Sadly Microsoft hasn’t re-launched any servers to coincide with these new OG Xbox titles (why would they?) but the game supports a mode against AI bots, so I decided to give it a quick spin before the day of the main run. Scrolling through all the maps and character classes hurt just a tiny bit, because the whole shebang looks like exactly the kind of thing I would have loved to play in its heyday.
Class-based, objective-heavy gameplay in the mid-2000s a la the original Star Wars Battlefront (which is also releasing via backwards compatibility this month) would have been incredible, especially given the artistic similarity to the already excellent and well-worn splitscreen modes of the N64 BFD. This new multiplayer suite even has a story from the looks of things! But I could never justify buying an Xbox just for one game (or two, maybe, counting Halo: Combat Evolved). If I had been five years older, though…
05:49 In the game, Conker starts bleary-eyed and hungover, and while I figured a heavy night of drinking might not be wise before this challenge, starting early was always going to be the way to go. Immersion is one thing, but there’s also the matter of time and its perpetually short supply. Truth be told, I made my brother do this challenge a few years ago with the N64 original, and while he had never finished the game before that day, he also wasn’t pausing frequently to write about his thoughts, and he went rather definitively into the A.M of the following day. I’m not big on binge gaming in general, usually needing to get up and do something else after two or three consecutive hours, so I expect to face some motivation challenges over the course of this day. It’s too early to boil the kettle and wake the house up so I splash my face with some new icy face gel product, grab my brand-relevant Sea of Thieves Xbox controller, and get stuck in.
This one is a games media favourite and one I’ve always wanted to cover on this blog. While major third party game publishers would usually have a good shot at taking this kind of award (which might usually cover both published games and general media presence), Sony’s own range of PS4 exclusives from their own stable were just too good to ignore this year. They probably would have won this on the strength of God of War and Spider-Man alone, but the admittedly polarising Detroit: Become Human was also a tremendous achievement in its own right. Sony didn’t have the best E3 this year by their standards, but they still grabbed plenty of headlines with their debut gameplay showcase of The Last of Us Part II and Ghost of Tsushima while continuing to prove an old truth – if you want a pile of fantastic single-player games, pick up a PlayStation console late in its life cycle.
